Leisure

Bathing and The Seaside

The British seaside holiday developed during the Nineteenth Century. The South East region has a number of popular seaside towns and resorts including Ramsgate, Margate and Broadstairs in Kent and Brighton, Worthing and Eastbourne in Sussex.

One of the films in the Screen Archive South East’s collection is a 1925 council publicity film for Margate. Entitled ‘Magical Margate’, it promotes the town as a fashionable resort, advertises the available activities and amenities and draws attention to the health-giving properties of the sea.

Swimwear

By 1920 bathing costumes were one-piece and sleeveless. Machine-knitted jersey and cotton fabrics produced better fitting costumes. The new woollen materials revealed the contour of the body but after contact with water they stretched and lost their shape. Here is an example from Worthing Museum & Art Gallery.


 

Women Paddling with Young Children, 1925

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Title: Magical Margate

Date: (ca.1925)
Film-maker: Community Production


This looks like an impromptu paddle in the sea whilst visiting the resort of Margate. The woman in the centre of the frame wears a smart long skirt and silk blouse, and holds a clutch bag. She also sports a large black bow in her hair and a pearl necklace.


Group on Beach and Swimming, 1930s

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Title: People and Places

Date: (1930s)
Film-maker: Lance House


This clip shows men and women wearing very similar bathing suit designs. The idealised silhouette for women in the 1920s was straight and androgynous. This scene demonstrates how knitted jersey materials reacted to water. When the wearer emerges from the sea, the bathing suit has lost its shape and is being pulled down by the weight of the water contained in the fabric.

 

Swimsuits 1929

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Title: Summer 1929

Date: (1929)
Film-maker: Ralph Staley


This clip shows men, women and children of various ages wearing one-piece, sleeveless scooped neckline costumes.  The older man’s costume is knee length, while the other bathing suits seen are shorter, falling to the thigh.  The women’s costumes are the most decorative – one has three diagonal strips emblazoned across the torso, the other has a loosely slung belt at hip level. Both wear decorative swimming hats. One hat shows the influence of the Art Deco movement with a geometric pattern, while the other woman’s hat is embellished with three daisies.

 

Children's Bathing Suits, 1929

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Title: [Summer Seaside Holiday And Family Scenes]

Date: (1929)
Film-maker: Dr. Catherine Violet Burne & Dr. Thomas Burne


This clip shows children in one-piece bathing costumes with slight variations in length or contrasting colour between the bodice and shorts. All have the same tubular silhouette and one girl wears a belt.

 

Mrs. Emberton and Jocelyn and Gillian in Bathing Costumes, 1938

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Title: Joce and Gill at Home

Date: (1936-1940)
Film-maker: Joseph Emberton


The girls appear in matching coral-red bathing costumes made from knitted jersey. The costumes sit low at the top of the legs and have two white straps that reach over the shoulders and tie into a bow at the back. The bathing suits are not identical. Jocelyn’s costume reaches to the middle of the back in an arch, and Gillian’s is slightly higher on her back and the straps cross over before tying in a bow. Although bathing costumes remained fairly uniform for children during the decade, such small variations in style and detail added decoration and interest to their design.

Mrs. Emberton was a follower of fashion and in this clip she shows that she was more daring than most by wearing a two-piece bathing costume. Bikinis (as they would be called in the 1940s) first appeared in the 1930s but did not expose the navel. They did not become popular until 1945 when they revealed the entire midriff.

All three family members wear rubber swimming caps that fasten under the chin. Such caps were considered a necessity for swimming to keep hair dry and maintain scrupulous hygiene.

 

Male Swimwear, 1939

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Title: With the Bentley in France and Switzerland

Date: (1939)
Film-maker: Joseph Emberton


A number of men at this French resort wear swimming trunks. This innovation did not completely replace the traditional body bathing suit until the 1940s. However, in an account held in the Mass Observation Archive written in 1937, a male resident in Brighton recalled that, “when I was sunning on the beach I thought of my wet middle (I use trunks), was alternatively thankful I discarded my old bathing suit and sorry that being a nudist, I had to wear trunks at all.” (MOA: 58/1/A, 13 July 1937, p.2)

 

Bathing Belles, ca.1936-1937

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Title: Local News Film

Date: (1936-1937?)
Film-maker: Bognor Regis Film Society


This film is part of a local newsreel depicting events in and around the area. This clip shows a women’s bathing suit competition which took place in Bognor Regis in the 1930s. There are examples of innovative styles of swimwear. All are still one-piece costumes but their departure from the heavy woollen 1920s costume highlights how much the body was revealed and displayed in various leisure and commercial settings by the 1930s.

 

Back of Woman’s Costume, 1939

Title: With the Bentley in France and switzerland

Date: (1939)
Film-maker: Joseph Emberton


This shot of the back of a woman’s bathing costume reveals the material used. In the 1930s swimwear had moved on from the baggy jersey or woollen suits to stiff ruched cotton. This was known as matletex - cotton shirred on elastic thread. It was pioneered by Fred Cole of Cole of California. The West Coast of America pioneered swimwear from the 1920s. This bathing suit from Worthing Museum’s collection of dress is very similar to the one worn in the film. It features embroidered cherries and demonstrates that swimwear in the 1930s was designed to be attractive not just practical.

 

Jantzen was a swimwear company founded in Portland, Oregon in North America in 1910. Having successfully designed a woollen suit for a rowing team, the designers branched out into general swimwear. In the 1920s the company became international - selling in America, Asia and Europe. The Jantzen red diving girl logo became recognised around the world. The company continued to dominate the swimwear market in the 1930s, when they introduced new styles and fabrics to their range.


 

Woman in Bathing Costume, 1930s

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Title: People and Places

Date: (1930s)
Film-maker: Lance House


It is possible to see a motif of an anchor on the left hand side of the woman’s bathing costume as she moves towards the camera before sitting down to sunbathe. There also appears to be a motif on the right hand side, but it is unclear as to what it depicts.

Motifs were being used in swimwear, as seen in those produced by the West Coast company Jantzen. A Jantzen swimming costume with its famous emblem of a girl diving wearing a red bathing suit can be seen at the Worthing Museum & Art Gallery.