Who we are

Whilst my early research career was focused on conceptual work relating to the interdisciplinary theorisation of identity, in recent years my research focus has shifted to the relationship between humans and the rest of nature, especially in the context of ecological crisis, climate change, and the Anthropocene. As a result I have engaged with developments in the posthumanities, Human-Animal Studies and Critical Animal Studies. My books Ecological crisis, sustainability & the psychosocial subject (2016) and Anthropocene Psychology: Being human in a more-than-human world (2020) reflect my approach to these topics. I also seek to work creatively and collaboratively with community groups, academic colleagues and practitioners exploring these and related issues.

I am a critical social and community psychologist using discourse analysis and creative methods to look at how people are making sense of themselves and their lives in the context of neoliberalism. Previous research has included participatory work with lived-experience researchers to explore the role of arts in mental health; and a discursive approach to exploring contemporary constructions of happiness and wellbeing.

Nicola Ashmore's research interests focus on artistic interventions and curatorial practice, notably the means through which this can leverage collaborative activism.

She has made use of film documentary and digital technology as methodologies, investigating museum practices, community artists and collaborative practices. She is currently researching remakings of Picasso's Guernica.

Phil Ashworth is a Professor of Physical Geography specialising in river morphodynamics and sedimentology. His research interests span a range of scales including the largest rivers and estuaries in the world. He focusses on the field quantification of alluvial morphodynamics, the diversity of large river pattern and the application of fluvial sedimentology in characterising reservoir heterogeneity. This work has been supported by 16 NERC grants and several contracts from the petroleum industry.

Recent projects include quantifying the relationship between fluvial processes and preserved sedimentology in the world’s largest rivers, quantifying the morphodynamics and sedimentology of large estuaries and assessing the impacts of drought in South Africa.

Ongoing projects are quantifying bedform dynamics in unsteady flows and modelling how sediment suspension controls the morphology and evolution of sand-bed rivers. He has recently been awarded two new NERC grants: (1) Propagation of hydro-geomorphic disturbances through continental-scale river basins: Future evolution of the Amazon River and its floodplain (started 1 December 2020, 3 years) with Andrew Nicholas and Rolf Aalto; and (2) The evolution of global flood hazard and risk (started 1 May 2021, 5 years) with a consortium of investigators in 8 other universities [Large Grant, NE/S015655/1, website in construction]

Phil's research projects have been based in Argentina, Bangladesh, Brazil, Canada, New Zealand, South Africa and USA, and earlier work focussed on experimental modelling of braided rivers in a tilting, aggrading stream table.

Dr Harriet Atkinson is a historian of design and culture, with a particular interest in the uses of design for propaganda and protest, nation-building and diplomacy, from the 1930s to the present day. From February 2019 to July 2023 Harriet is on research leave as AHRC Leadership Fellow and Principal Investigator on the project '"The Materialisation of Persuasion": Modernist Exhibitions in Britain for Propaganda and Resistance, 1933 to 1953'. This builds on her University of Brighton Rising Stars Award (2017-18), for a project entitled 'Information, Persuasion, Citizenship: Public Exhibitions 1914 to now'. 

Duncan has practised, researched, and taught around issues of sustainable design, the Circular Economy and closed-loop systems for over 25 years. He has worked on projects as diverse as 'The Greenwich Millennium Village' in London with Ralph Erskine, the RIBA’s ‘House of the Future’, and more recently the multi-award-winning New Country House & Estate Master Plan in Hadlow Down East Sussex. Author of ‘The Re-Use Atlas: a designer’s guide towards a circular economy’ published by RIBA, he is perhaps best known for a series of thought-provoking ‘house’ projects testing issues of sustainable design and resource management including 'The House that Kevin Built’ in 2008 and ‘The Brighton Waste House’ in 2014.

Duncan is currently the Principal Investigator for two separate Interreg research programmes. One considers the viability of local waste flows to be processed into insulation for the social housing sector. The other, in partnership with Rotor DC of Brussels tests ideas associated with deconstructing late 20th Century/ early 21st Century buildings and re-constructing them. He lectures widely on issues relating to sustainable development and the circular economy in the design and construction industries. In December 2018 Duncan delivered a keynote address ‘Designers can save Planet Earth’ at the Grantham Institute for Climate Change at Imperial College. He is the curator of the annual ‘Waste Zone’ at FutureBuild; a three-day symposium and exhibition focusing on discussing many of the most pressing issues presenting the emerging concept of Circular Cities, involving over 50 invited speakers including Prof. Walter Stahel, Prof. Michael Braungart, Clare Ollerenshaw (LWARB), Gillie Hobbs (BRE), Dr. Zoe Laughlin (Inst.of Making) and David Benjamin of New York’s ‘The Living’.

Duncan’s research tests the viability of a number of practices and materials, recognising the potential of discarded “waste” as a valuable resource in the future of construction, as well as live projects as valuable teaching aides. Through his projects he fosters community development and regeneration, working with apprentice builders and students, informing young people of all ages as to their role in sustainable living. Duncan creates examples of community practice that, through the use of innovative techniques such as ‘resource mapping’ can redefine what local materials are and match them with local skills and trades.

Duncan has taught at both undergraduate and post-graduate level since 1994, recently running an undergraduate design studio at the School of Architecture & Design, as well as coordinating undergraduate Technology & Professional Practices modules. His research practice informs his teaching, and vice versa. Duncan recently coordinated the design and construction of the multi-award-winning Brighton Waste House with over 360 undergraduate students, volunteers, and apprentices. As well as being a successful ‘live project’ and pedagogic tool, it is also Europe’s first permanent building made of waste material and the host of a number of funded on-going research projects.

I trained as an architect and practice as an artist, whose practice often engages with the public realm.

My recent practice and research has explored material poetics, memory, heritage and regeneration. In my PhD, 'Détour and Retour: Practices and poetics of salt as narratives of relation and re-generation in Brixton', I proposed that a 'poetics of re-generation' could allow a renegotiation of the instrumentalised term regeneration, expanding the language of regeneration and spatialising relational practice to emphasise an ethics of regeneration practices.

Therefore from a practice perspective, I'm interested in how artistic interventions and critical spatial practices that highlight and reveal poetics of place could contribute to more ethical and effective models of regeneration (including a more ethical engagement with pasts of a place, spectral traces and relation to the new).

I'm currently working on Acts of Transfer, a practice-based research project, funded by Arts Council England, and the Centre for Spatial, Environmental and Cultural Politics at UoB, in collaboration with Dr Lizzie Lloyd (UWE), into the spaces and subjectivities of socially engaged practice and critical writing about the practice.

Through my PhD I became involved with the work of the poet and philosopher Édouard Glissant and his poetics of Relation. I'm currently working on research that seeks to understand how we can take Glissant's ideas into spatial and social practice in art and architecture.

I'm interested in the material cultures of migration and trade - which connect the historical and present - for example salt, which formed the basis of my PhD work. I'm interested in the relevance and significance of everyday practices, rituals and engagement with material culture to how places are made and continue to be remade and maintained.

Some of my recent artistic projects have explored textiles as a medium, and as part of collaborative research project Making Suburban Faith I worked with Professor Claire Dwyer and researcher Nazneen Ahmed at UCL to produce a collaborative textile art project, which has been written up in a number of papers and chapters, as well as an artists book (see outputs).

Other current art practice and research focuses on Yiddish political cultures in the Jewish East End from the 1880s to the 1930s. This research which has been funded by the Centre for Memory, Narrative and Histories was presented in an online exhibition in December 2020 and was the focus of an event in June 2021 with Tim Ingold, Ben Gidley and Rachel Garfield.  

Katrin Bohn teaches and researches sustainable architecture and urban design with a focus on urban food production. Much of her design research deals with the relationships between urban space and food-productive urban landscape and bridges the gaps between environmental design thinking, urban space production and sustainable lifestyles.

Since the UK's first urban agriculture conference Urban Nature (2001), co-curated by Bohn, she has contributed widely to conferences, publications, exhibitions and design and policy debates, both nationally and abroad. As an internationally recognised urban agriculture expert, she has also been advising on national and international research, policy documents and pioneer projects. Her work has been quoted by the UN and UNESCO and has influenced urban planning in the UK, as well as worldwide.

I am currently interested in exploring people's embodied and emotional relationships with digital data, devices and platforms in everyday places (e.g. home, work, transport and public spaces). I am focusing on the ways different people have different relationships ‘the digital’, highlighting how power continually manifests in and through digital technologies. I use feminist and queer methodological tools that enable an exploration of these issues.

I am also interested in the relationships between violence, vulnerability and embodiment. I am working on a colaborative project with Man Kind UK about men's unwanted sexual experiences (MUSE), exploring the barriers men face when trying to access formal support. 

My research experience is tied together through geographies of gender, sexuality and the body. At Oxford, I conducted research on the precarious lives of young working-class men, exploring the emotional and embodied experience of austerity. My PhD focused on men who use Grindr. I was interested in the ways masculinity, sexuality and desire emerge as queer men learned to use digital technologies for sex, dates and intimacy. As a research assistant at Newcastle University, I worked with LGBTQ+ people at a higher education institute to examine experiences of diversity and inclusion. In collaboration with Barnardo’s, I also worked with year 5 school children in North East England to explore – and challenge – their understandings of masculinity and what it means to be a man.

My research involves sociological, cultural and geographical analyses of race, ethnicity and popular culture. It is linked fundamentally by its central theme of qualitative observational research on ethnicities as lived in public cultures/spaces, and comprises explorations and critiques of the spatial dimensions of racialised inequality and resistance. My work emphasises notions of theoretical innovation, empirical originality and sociological intervention.

My research interests can be divided into four main areas:

- The experiences of British Asians in sport and leisure

- Social and cultural aspects of the contemporary English seaside and coast, especially the connections between race, whiteness, migration and ‘new’ spaces of multiculture

 - Theorising race and racism in football, with particular focus on connecting ideas around Empire, de/coloniality, racialised identities and anti-racist resistance

- Black British leisure and musical cultures and spaces

I have written / (co-)edited eight books: British Asians and Football: Culture, Identity, Exclusion (Routledge, 2007); Race, Ethnicity and Football: Persisting Debates and Emergent Issues (Routledge, 2011); Coastal Cultures: Liminality and Leisure (Leisure Studies Association, 2014); Sport and South Asian Diasporas: Playing Through Time and Space (Routledge, 2014); Race, Place and the Seaside: Postcards from the Edge (Palgrave Macmillan, 2016); Transforming Sport: Knowledges, Practices and Structures (Routledge, 2018); Racism and English Football: For Club and Country (Routledge, 2021); and Leisure, Racism, and National Populist Politics (Routledge, 2021).

My research interests include student voice, interdisciplinary teaching and learning, the professionalisation of teaching and learning in higher education.

My research focuses on violence, feminism, cities, criminology, policing and insecurity. My previous work has focused on the politics of crime control, justice and human rights, critical theory, theorising interlocking social inequalities relating to class, gender, race and ethnicity in the context of Brazil. My research has been published in academic journals such as Contemporary Social Science, the Bulletin for Latin American Research and the International Journal for Crime, Justice and Social Democracy.

I am currently the principal investigator of two collaborative research projects: ‘Activism and Authoritarianism: understanding the social and environmental effects of authoritarian governance from the perspective of activists in Brazil’ (funded by the Rising Stars Award, University of Brighton 2020-2021); and ‘The impact of criminalisation on women and feminist activist groups in Brazil’ (funded by the British Academy, 2020-2022/grant number KFSBSF\100004). 

My current research projects examine sociocultural construction of risk, trust, and their management, public understanding of science and science communcation related to vaccines and 5G technology. A second strand of my research explores healthcare decision making amongs poor people in India.

I am currently collaborating with Discourse, Science, Publics Lab (Kieran O'Doherty) at University of Guelph, Canada on vaccine hesitancy in Ontario and with Dr Chetan Sinha Jindal GLobal University, Sonepat, India on strategic risk taking in health decisions amongs poor people in India.

Professor Andrew Church's research interests cover tourism and leisure geographies, human-nature relations and cultural ecosystem services. Recent funded research projects have included studies of tourism and ecosystem services, the meanings and values of wetlands, water-based sport and recreation, domestic food growing, gardens and gardening.

He has extensive experience of linking his research to policy and impact. In the last 8 years he has been extensively involved in major national and international assessments of the statues of biodiversity and ecosystem services focussing on the cultural and leisure dimensions of human-nature interactions.

In 2011he was appointed as a coordinating lead author on the Defra expert panel for the UK National Ecosystem Assessment (NEA) with responsibility for the chapter on ‘Cultural Ecosystem Services’. He was also a Coordinating Lead Author of the chapter ‘Shared Values for the Contributions Ecosystem Services make to Human WellBeing‘.

In 2013 Andrew was principal investigator for the research on cultural ecosystem services as part of the UK NEA follow-on research. Most recently from 2014 Andrew  has been a Coordinating Lead Author leading an international team for the chapter on trends and status in ecosystem services for the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) Regional Assessment for Europe and Central Asia. IPBES is designed to play a role for biodiversity and ecosystem similar to that undertaken for the climate by the Intergovernmental Panel on Climate Change (IPCC).

Andrew provides advice and guidance for policy organisations and works with a wide range of stakeholders in all sectors through the innovative use of mixed qualitative and quantitative research methods in ecosystem assessment. He have undertaken research and provided advice for a range of government organisations with environmental policy responsibilities including Defra, Countryside Agency, Countryside Council for Wales, British Waterways, Forestry Commission, Ordnance Survey and local councils.

Donna Close is a senior research fellow in the School of Media specialising in projects, partnerships and research that investigates the role that creativity and cultural production processes have in amplifying cultural, social and economic value, particularly when fused with technology.  UoB projects include CLEVER, Arts DRIVA, XR Circus and 5GXR.

 In practice, Donna is a creative producer, artistic director and cultural strategist with 25 years’ experience as an arts and culture leader working across the private and public, commercial and cultural sectors. She has held senior roles in local government, higher education, large cultural organisations, creative SMEs and community and voluntary groups and has advised governments, funding organisations and cultural partnerships across the world on cultural policy and programmes.  Recently this has included developing the Cultural Experience Strategy for the Qatar World Cup 2022 and developing cultural startegies for Shropshire, Cumbria and the West of England.

Donna's research activity has explored all aspects of the production cycle and value chain to understand how artists and cultural producers can adopt and adapt new technology in order to create impactful public cultural experiences. As founder and director of award-winning festival White Night, one of the commissions she conceived and produced, ‘West Street Story’ working with artist Martyn Ware, body language expert Dr Harry Witchel and the Noise Abatement Society was designed specifically to tackle anti-social behaviour and was awarded a Sir John Connell award for Innovation.  In CLEVER, Donna developed a 'creative leadership' pedagogy to assist experience design of impactful projects: in XR Circus Donna refined a co-creation process for artists and technologists to skill share and co-design new prototypes in immersive experience: in Arts DRIVA this process was expanded into curated and co-curated Wide Angle events in order to reach a wider group of creatives and a Focus programme of 1-2-1s to support the development of new ideas and cultural products. This led to 6 new artist commissions as part of the Superfuese Awards where artists were supported to respond to the Gatwick data API. 5GXR further explores this with a focus on internationalism, exploring how knowledge exchange and co-creation can be supported virtually using 5G as a provocation and prompt for inter-disciplinary and academia/ industry discussion.

A cross-cutting theme of Donna's work is to support diversity in XR (Expanded Realities including AR/ VR and MR) and worked closely with Professor HW Kennedy to curate two symposia that provided a forum for knowledge creation and exchange around diversifying the XR culture and industry. These two events were ‘The Impossible Futures of Immersion’ (Nov 2018) and 'Change for the Machine' (May 2019) both events were in capacity and have laid the foundation for a Critical XR Network, currently in development. 

Donna remains a practitioner in the cultural sector as lead for Digital Democracies, an ACE funded national partnership supporting the development of new public culture using technology; as digital culture associate for Brighton Dome Brighton Festival, leading on the creative and strategic use of the 5G test-bed and the DCMS funded £3.5m 5G Festival, and as Director of Festivals and Events International (FEI).

Research Income (UoB)

• CLEVER – PI, Manager and Research fellow. An international research project into Creative Leadership developing new understanding and pedagogy about how creative skills and practices can drive economic and social impact.  Led to Donna developing a new L5 module and LLL programme in Creative Leadership  (Erasmus+ funded €67,000)
• Arts DRIVA – PI, Producer  -An independent research project that forms part of DRIVA arts DRIVA, a £1.2million innovation project designed to provide Creative, Digital & I.T (CDIT) SMEs, creative practitioners and cultural organisations access the full Coast to Capital (C2C) region, unprecedented facilitated access to Gatwick Airport’s big data alongside a mix of creative innovation support including innovation development, R&D grants, expert advice and access to specialist facilities. Arts DRIVA focuses on the artists, freelancers and cultural organisations that make up the creative sector using cultural production tools - such as curation, events, residencies, exhibitions, commissions - to support innovation (Arts DRIVA only ACE funded £266,000)
• XR Circus – Producer, Co-designer. An AHRC funded ‘Next Generation of Immersive Experiences’ project that supported circus artists to develop their ideas working with immersive tech with facilitated access to equipment and expertise and co-curated with industry partners (Freedom Festival, SeaChange Arts, Without Walls).  This project also further developed the LIVE toolkit (developed for Root 1066) seeking to understand more about quality and impact through audience experience. (AHRC funded £73,000)
• 5G:XR - PI, producer. An AHRC/ Newton Fund funded project with Istanbul to explore what new cultural experiences 5G might afford in cross-disciplinary practice particularly between the performing arts and games sector, and how this can be supported and fostered.  The project was forced to pivot die to Covid-19 and the focus has moved to how virtualisation can support international inter-disciplinary working.  (AHRC funded £34,000)

My research interests focus around understanding the fundamental question of what it means to be human. I am interested in knowing whether certain abilities that we all take for granted such as language, symbolism, and abstract thought are unique to our species (Homo sapiens) or were present in other ancient human species such as Homo heidelbergensis or the Neanderthals. In order to ascertain this I look at a range of evidence strands but I primarily focus on the stone tools left behind by our ancestors for clues to their mental capabilities. I am also interested in what cognitive, behavioural and social thresholds are needed by hominins in order to allow them to successfully disperse across the globe and overcome any environmental constraints. Finally, I am fascinated by how ancient hominins treated their dead, particularly how and why some of them seem to have practiced cannibalism. By understanding the treatment of the dead, we can gain greater insights to the lifeways and social structures of the living.

In order to try and understand our hominin ancestors I am involved with a number of archaeological projects here in the UK and in East Africa. My main research project is the Isimila Stone Age Project where I am the Director of a multi-institutional and international research collaboration between academic institutions in the UK and Tanzania.

Andrew is interested in how spatial planning can help to deliver climate change adaptation and mitigation, manage coastal change and flooding, encourage integrated water management and regulate short term rentals such as AirBnB.

In the last five years I have developed an interdisciplinary theoretical and practical experience in conducting social research throughout my PhD, my MSc in Social Research Methods and my roles as Research Assistant in various institutions, including King’s College London, University of Sussex and University of Portsmouth. My research approach is aimed at analysing intersecting inequalities in various contexts and at developing innovative perspectives around forms of social, urban and environmental harm from a feminist and gendered approach. I am interested in Green Criminology and in exploring how issues of environmental justice are linked to broader aspects of urban geography. I am also interested in exploring these issues through a zemiological and intersectional approach. My interdisciplinary research interests include various criminological and sociological theories, including cultural and critical criminology, Marxist feminism, and zemilogy.

Dr. Deanna Dadusc is a Senior Lecturer in Criminology at the School of Applied Social Science.

Her research analyses the criminalisation of social movements in Europe, including the criminalisation of migrants' solidarity and of housing struggles. Her research is informed by critical approaches to criminology addressing state, corporate and border violence from feminist and anti-racist perspectives. 

Together with Dr. Eleni Dimou and Prof. Pierpaolo Mudu, Deanna is currently co-authoring a book titled ‘’Borders, Repression and Resistance: the criminalisation of migrants’ solidarity’’ (Routledge, forthcoming).

Deanna paricipates in the Erasmus+ BRIDGES consortium, which brings together Universities and Civil Society organisations to tackle exclusion and discrimination in Higher Education, by using decolonial, anti-racist and feminist approaches and methodologies. The consortium includes the Feminist Autonomous Centre for Research and Za’atar in Athens;  the domestic workers union Sindillar and the Autonomous University of Barcelona; An.Ge.Kommen and the University of Giessen in Germany; the University of Brighton and the Office of Displaced Designers in the UK.

Deanna coordinates the 'Social Movements and Radical Politics' strand of the Centre for Applied Philosophy, Politics and Ethics (CAPPE - University of Brighton).

My research predominantly focuses on the political and social role of football fans. This includes the positive affect fans can have in challenging discrimination in football, and helping local communities and refugees. This invariably brings fans into conflict with the various regulatory bodies, such as football federations, governments and the police. Understanding the wider political economy of football helps situate these conflicts in their wider context. I supervise PhD students on projects related to political economy of sport, poltiical activism in football, anti-racism and anti-discrimination in sport, and the role sport can play in supporting refugees and migrants.

Professor Julie Doyle researches in media and communication and is an authority on climate communication. Her research examines the ways in which media and culture shape our understandings of, and responses to, climate change.

With a particular focus upon visual communication, Prof. Doyle has worked collaboratively with visual artists and cultural educators, and provided consultancy for environmental NGOs, government and the sustainability communications sector on best practice for climate and environmental communication.

Professor Doyle is committed to examining the role of media and communication in understanding and addressing climate change, and in working collaboratively to find ways to create more sustainable societies. She was a former Director of the Centre for Spatial, Environmental and Cultural Politics, is Co-Chair of MeCCSA’s Climate Change Network and was a member of the founding Board of Directors of the International Environmental Communication Association (IECA).

Watch Professor Doyle's inaugural lecture, 'Communicating Climate Change in an Age of (Un)Certainty' (May 2017)

Robin Dunford's research addresses humanitarian intervention, the responsibility to protect, human rights, and decolonial ethics.

 1.     Civilian Protection, Humanitarian Intervention and the Responsibility to Protect

With Michael Neu (University of Brighton), Dunford is the author of Just War and the Responsibility to Protect: A Critique. This book argues that debates on Just War and the Responsibility to Protect fail to consider already existing forms of intervention – including arms trading, attempts to stoke ethnic tension, and measures that destroy the environment – that contribute to the emergence of humanitarian crises including genocide, ethnic cleansing, and war crimes. Dunford and Neu co-ordinate an emerging network which looks at how nonviolent approaches offer a more effective and justifiable alternative for protecting civilian victims of atrocity crimes.

2.     Human Rights and the Politics of Resistance

Dunford has written on social movement claims for human rights, focusing in particular on recent moves towards a United Nations Declaration on the Rights of Peasants and Other People Working in Rural Areas. Through a series of articles and a monograph entitled The Politics of Transnational Peasant Struggle, he has called for greater recognition within the Human Rights Council of the new collective rights demanded by activists. 

 3.     Decolonial  Ethics

The third project shows how a Decolonial ethics centred on the idea of ‘pluriversality’ – a world in which many worlds fit – offers a persuasive alternative to the cosmopolitan perspective that sits at the centre of contemporary Global Ethics. Having outlined central features of a decolonial global ethics in an article in the Journal of Global Ethics, Dunford is now exploring how a decolonial perspective can reframe debates concerning environmental ethics, food justice, and development ethics.

 4. Law, Ethics and Democracy

With Dr Lara Montesinos Coleman, Dunford co-ordinates the Law, Ethics and Democracy Collective: an action-research initiative between scholars at the Universities of Brighton and Sussex. The Project, which was founded in 2016, aims to bring together work in applied philosophy and political theory with struggles against the increasingly fascistic, anti-democratic and dubiously-legal forms of economy and government we encounter today. 

Additional Roles: 

Together with Professor Professor Bob Brecher and Dr Michael Neu, Dunford edits a book series with Rowman and Littlefield. Off the Fence: Morality, Politics, Society publishes short, sharply argued texts in applied moral and political philosophy, with an interdisciplinary focus. Robin is also co-convenor of the British International Studies Association's Ethics and World Politics working group.

My research career to date has focused on the development of innovative low-cost tools that tackle pressing global disease problems. In Malawi, the re-design and improved management of rural wells have provided low-income communities with safer drinking water. In Europe, new methods have identified human faecal contamination of rivers and established viral removal rates in a wastewater reuse systems. This information is helping water companies and environmental agencies to meet international standards and more effectively protect public health, by detecting, or interrupting the transmission routes of human waterborne diseases.

I undertake research in the broad field of political ecology. My work is informed by intersectional feminist theory, critical development studies and environmental advocacy-activism around resource extraction, with an empirical focus on the gendered ecological politics of displacement, resettlement and dispossession in forest and flood contexts in Indonesia and Thailand. Current projects include work on the ways that gendered processes of mobility and migrant remittances unsettle linear analyses of dispossession associated with oil palm investment. I am also exploring ways to rethink feminist political ecology by linking theories associated with 'material feminisms' to empirical work on mobility, environmental change and gender in Southeast Asia and the practice of feminist political ecology pedagogy and research in diverse professional contexts.

The main focus of my research is science; as it is represented in culture, as it is practiced in formal settings, and as a system of knowledge that we deploy in society. My research has been characterised as Science and Technology Studies (STS), but I prefer to think of myself as a sociologist of science, even though I go beyond traditional sociological research methods in my work.

My research uses ethnographic and cultural studies research methods – I have carried out a number of long-term ethnographic studies of science laboratories. My interest in formal science emerged from my earlier work in sociology of work which culminated in a number of books written with my colleagues Professor Harriet Bradley and Dr Steve Williams. After carrying out a large study of shop floor production workers I thought that finding a contrasting group would be interesting. I chose to look at academic scientists as they are a) incredibly productive, producing vast quantities of knowledge in the form of scientific journal articles, b) very highly qualified and c) despite having very low levels of job security are poorly unionised. My initial studies with this group of workers took a labour process approach but I soon focused on attitudes and motivations towards work, revisiting the work of Max Weber from 1918.

My interest in scientists’ work and knowledge production took me into examining climate change as a sociocultural discourse that is related to formal science and discourse. This research is ongoing as part of the Centre for Research in Spatial, Environmental and Cultural Politics.

Lambros' research interests revolve around police racism and the criminalisation of Black music (sub)culture(s), fusing Cultural Criminology with Black radical thought. He is particularly interested in how certain forms of public expression and creativity are not only marginalised in the relevant academic literature, but also criminalised by law enforcement agencies. As such, Lambros' work addresses "deviance" as a racialised political category in the context of Britain's colonial past and institutionally racist present, with a particular emphasis on policing.

His research on the policing of UK grime and drill has been published in the Crime, Media, Culture journal and The Sociological Review, while contributions to edited volumes include book chapters for Gordon and Newman’s Leading Works in Law and Social Justice (Routledge), Peršak and Di Ronco’s Harm and Disorder in the Urban Space: Social Control, Sense and Sensibility (Routledge) and Charles and Gani’s, 21st Century Black British Music (Liverpool University Press). He is also the co-author of The Public and Their Platforms Public Sociology in an Era of Social Media (with Mark Carrigan) and Policing the Pandemic How Public Health Becomes Public Order (with Melayna Lamb), both published by Bristol University Press. 

Lambros’ work is also featured in non-academic publications that include three short stories for the So-Fi sociological fiction zine and an Introduction that he was commissioned to write for the Greek edition of A History of Seven Killings by the 2015 Man Booker Prize winner Marlon James.

I am a social and health psychologist with interests in health and well-being and how identity processes are related to these. My research focuses, firstly, on health behaviour change and, secondly, on reducing inequality in educational settings through interventions known to reduce stereotype threat.

My research interests include:

• Applying self-affirmation theory as an intervention in health
• Narrative health information
• Identity-related process in understanding stereotype threat
• Applying self-affirmation theory to buffer against stereotype threat
• Community-led research
• Health and educational inequality

My research undertakes a critical feminist and anthropological approach to the study of peace-building processes. I am particularly interested in delving into social dynamics of violence and peace and the intersection with emotions, silences and bodily memory. I have conducted ethnographic research in Northern Ireland and in the Basque Country. My research has developed a critique of, and offers an alternative to, conceptions of post- ceasefire processes in terms of orthodox peace-building discourse, as ‘post-conflict’, seeking ‘reconciliation’, and centred on recognition of the experiences of the ‘victims of terrorism’.

My research interests lie in seeking to bridge the disjuncture between climate change science, water resources management practice and local articulations and experiences of changing water environments. My work is critically engaged with understanding how developed economies organize and manage their freshwater resources with regards to transitioning towards sustainable futures in the context of climate change. At heart my research explores why climate change narratives are still failing to resonate with most citizens, and are still not embedded within organisational praxis, and seeks to determine what approaches may close these gaps in order to support transitions towards sustainable futures. Inherent to this line of questioning are explorations of emergent forms of citizenship, discourses of governance and the links between landscape, taskscape and community within the late capitalist era. I draw on the work of Karen Bakker, Noel Castree, Eric Swyngedouw, Neil Adger and Tim Ingold to undertake empirical qualitative fieldwork which interrogates the political, cultural and physical intersections which co-create our sense of place, and our intimate, immediate relationship with our water environments

My research interests cover the geographies of sport and leisure. My doctoral research explored British cultures of adventure and the heroic masculinities associated with mountaineering. My more recent work is interested in the use, governance and regulation of public space for leisure and recreation, addressing issues such as access, property rights, citizenship and self-governance. Theoretically, my work cuts across human geography, sociology, politics, cultural studies, social history, sport studies and leisure theory. I employ a variety of theoretical tools to understand the spatial aspects of sport and leisure cultures - the spatial theories of Mikhail Bakhtin; Victor Turner's writings on liminality; gift theory; theories of affect; and, post-subcultural theories - and have contributed to the application of these approaches to empirical research in sport and leisure studies.

My current research interests include the social regulation of leisure in public space; countercultural sport; connecting people and communities through food and farming; and, the cultural heritage of waterscapes.

Methodologically, I specialise in qualitative and collaborative empirical methods and with Professor Neil Ravenscroft (University of Brighton) and Dr Niamh Moore (Edinburgh University) have developed the concept of ‘collaborative story spirals’ to describe a method of contextualised and situated biographical and narrative research; an approach that has been utilised in European heritage projects.

My research has been funded by the Arts and Humanities Research Council, British Academy, European Union (Interreg Programme), and Political Studies Association.

My current research focuses on the development of inclusivity, well-being and race equity within Higher Education pedagogies. These interests have developed out of my work within Educational Studies (specifically Higher Education) and Dance Studies (specifically Popular Dance Studies) in my past roles. This is directly supported by my work as Lead for the Inclusive Practice Partnerships Scheme and Institutional Lead for Inclusive Practice.  

Olu Jenzen is Reader in Media Studies and the Director of the Research Centre for Transforming Sexuality and Gender. Her research ranges over different themes in Digital Media and Cultural Studies and Critical Theory with a particular interest in the aesthetics of protest, social media and LGBTQ activism and popular culture. She has published in journals such as Convergence; Gender, Place and Culture and Social Movement Studies and is the co-editor of The Aesthetics of Protest: Global Visual Culture and Communication, Amsterdam UP, 2020. 

Adam is a Principal Lecturer of Strategy and Marketing within the School of Business and Law at the University of Brighton.  Adam has a wealth of commercial knowledge gained from working at a senior strategic level in a FTSE 250 company. He started his career in the travel industry working as a tour guide rising to the position as Head of Marketing. It was during his time as Head of Marketing, Research and Product Development that he developed an expert understanding of the issues around strategic direction and the challenges applying the principles of strategic marketing to an extremely competitive and challenging commercial environment. Adam's work included developing the company's strategy for Corporate Social Responsibility (CSR) and setting industry wide reporting standards on CSR issues with the United Nations Environmental Program's.

Since joining the University Adam has led the validation of the two new Sport Business Management courses, has taken a lead role as the academic responsible for graduate employability, enterprise and innovaiton and is the Academic Subject Group Lead for Responsible Enterprise and Innovation. This included presenting tool kit for an online graduate tool kit (skills on tap) at the 12th International Entrepreneurship Educators Conference. Adam has also being central to a number of consultancy projects related to tourism development. In addition to his academic studies his personal research interests focus primarily on leisure mobility, consumer behaviour  and the impact on the environment, he is working on completing his PhD with the School of Applied Social Science at the University of Brighton (viva 21 Jan 2021). He has also developed an innovative method of diary data collection, the email-diary.

Claudia Kappenberg’s research focuses on moving image, live and interdisciplinary performance practices and screendance, as well as the historical and theoretical narratives which underpin these practices. She is concerned with visual literacy, performance philosophy and concepts of body-mind integration, and their exploration within cinematic, choreographic and performative practices. This work is framed by a wider interest in questions of representation, feminist discussions and contemporary debates on neoliberalist politics and their impact on the artist and artistic production.

PhD application for research in related fields are welcome. For further information see TECHNE.

In her visual and performance practice Claudia Kappenberg draws on a background of dance and visual arts to create minimal choreographies which examine patterns of the everyday. The work is often developed for particular sites or reconfigured in their relocation to other sites and exhibited in the form of live interventions, gallery based performances or screen-based installations. The work has been shown in Europe, the United States and the Middle East.

Claudia Kappenberg is a founder-editor of the International Journal of Screendance and peer-reviews for a number of journals, as well as for research councils such as the British AHRC and the Canadian SSHRC. She undertakes consultancy for Screendance initiatives, juries on related film selection panels, and is regularly invited to speak at Screendance festivals such as in Buenos Aires, Limerick, Bordeaux, Brussels, Wuppertal, Basel, Bucharest, Freiburg. She has been guest lecturer at the École des Beaux Arts de Grenoble (France), Akademie der Künste (Munich, Germany) and Hazira Performing Arts (Jerusalem, Israel).

Claudia Kappenberg trained in Modern Dance, Butoh and Movement Analysis and danced professionally in Europe and New Zealand before coming to London in 1991.  She completed an MA Fine Art/Film and Video at Central Saint Martins College of Art and Design in 1998 and taught at Central Saint Martins and London Guildhall University until 2002. She worked freelance as videographer for Tate Modern, Tate Britain and independent arts organisations.

My current research explores the relationship between theories of subjectivity and Critical Theory. I am interested in how understandings of subjectivity shape both social policy and critical theories of emancipation, with a particular focus on ideas about child development, gender, intersectionality and care. This research will be published in a monograph I am currently completing for the Palgrave Macmillan series, Studies in the Psychosocial, titled Donald Winnicott and the Politics of Care (due in September 2021).

More broadly, my research interests include psychoanalytic theory and praxis; psychoanalysis and social justice; the politics of mental health; Critical Theory; feminist theory; gender studies; cultural studies; the politics of reproduction and care. Much of my research to date has taken place at the intersections of these preoccupations, culminating in several articles that address these themes.

I am a Reader in Anthropology and Psychology in the School of Applied Social Science. The cornerstone of my research has been the production of monographs and publications in three related fields: violence and conflict in Pakistan’s megacity of Karachi; transnational Afghan refugee migration and mobility in urban Britain; mental disorder and psychosocial intervention. My books include ‘Mohajir Militancy in Pakistan’ (2010, 2012, Routledge), ‘Cityscapes of Violence in Karachi’ (2017, Oxford University Press; Hurst & Co.); and ‘Mental Disorder: Anthropological Insights’ (2017, University of Toronto Press). I am currently completing a fourth monograph entitled ‘Arc of the Journeymen: Afghan Migrants in England’. I am also conducting ANRS funded research on illegal Pakistani migrants’ with HIV and Hepatitis in Paris. I am actively looking for Phd students in the broad areas of refugee and irregular migration, mobility, and mental distress and disorder, spanning the geography of South and South-East Asia, and Europe.

Lucía King’s research and practice fall into three strands. The first pertains to her work as a practitioner in drawing, painting and installation artworks. The second concerns her engagement as a researcher of artists’ moving image. Following a period of residency in India in the 2000s, Lucía acquired a PhD from SOAS Centre for Media and Film (University of London) specialising in the creative methodologies of South Asian artists’ filmmakers and experimental documentary filmmakers, including the transnational distribution contexts of their works (1990s to the present). Thirdly, she is a curator of artists’ moving image and, in 2014, she founded VisionMix, an artist-led professional network of artists, filmmakers and curators that operates transnationally, with many of its associate members based in India.          

Drawing and Spatial PracticeLucía’s large-scale drawings (2014-2021) investigate the shared temporal and spatial properties of filmmaking and painting as artistic disciplines; the ways that storytelling in a film creates a perceptual relationship with the viewer in relation to the painted or the drawn image.  In one of her key series of drawings, Making the land to live on, the landscapes and urban city-scapes, her drawings are on large rolls of Arches paper, and the proportion of the drawing relates to Cinemascope framing in film (a 1:2.35 aspect ratio). This encourages a link between the ‘stilled image’ and cinema spectatorship. Her drawings are a means of formulating a variety of imagined, improbable and non-figurative landscapes that couldn’t in actuality be inhabited; speculative spaces that represent a struggle to appropriate a sense of belonging to the lived environments. Lucía’s panoramas are an amassment of lines that disrupt and question the colonising gaze of western landscape painting, or the developmental paradigms of architecture visualisations of cities yet unbuilt. King has exhibited these works, and video animations that relate to the drawings in recent years, such as Espacio Santa Clara, Sevilla (2020); Aspa Contemporary, Madrid (2019); Appleton Gallery, Lisbon (2019); Santoraspace205, Santa Ana, California (2018) and ‘Future Orbits', Kochi-Muziris Biennial, (collateral Event) India (2017).

Website for drawing/installation practice: www.luciaking.co.uk

South Asian moving image research

Lucía’s research into Indian film and artists’ video is particularly focused on the processes and concepts of film authorship by filmmakers and producers, taking into account social and contextual determination and film historical legacies that precede them. Alongside Rashmi Sawhney, she guest edited a South Asian special edition of the journal, Moving Image Review and Arts journal (vol. 7.2) which assembles leading film- and art critical voices in a series of articles that discuss artists’ film and non-fiction film movements in India and Pakistan, from the 1980s to the present. The above, and other articles on this subject that Lucía has published, have emerged from her role as a founding Director of the moving image network, VisionMix since 2014.

VisionMix Curation

Lucía’s interested in curation has led to VisionMix’s importance in networking artists transnationally, whilst also generating practice-based research data that can be produced in international film professional contexts. VisionMix curates exhibitions,  knowledge exchange and produces publications that critique, and bring fresh vision into South Asian art and film research and its public showcasing See: https://www.visionmix.info/archive

VisionMix's  'Loss & Transience' exhibition at the Hong-gah Museum, Taipei, Taiwan (2021) brings the work of 10 moving image-makers in a physical exhibition and series of online presentations by the participants. Lucía hold a PhD in S. Asian arts, and is also a consultant to Arts producers. The British Council & ACE supported VisionMix from 2015 to the present, and also benefited from 9 other international funding grants and institutional support (2014-2021). A selection of previous projects include:

2019: Screening at Proyector Festival Madrid (2019)- Spain’s primary Moving Image festival (I led 2 public curator’s workshop/screenings).

2018: A Masterclass Series: VisionMix associates provide professional practice exchange (in Univ. of Winchester Film Production dept + VisionMix lab, UK).

2018: Published an extensive journal edition for: Moving Image Review & Arts Journal (MIRAJ) profiling the history/key South Asian movements in moving image, relevant to producers & researchers.

2017: Future Orbits - An exhibition + artists/curators’ laboratory- partners: Kochi-Muziris Biennial, South India + a leading Indian art institute.

2015: An ‘Artists, Filmmakers & Curators Workshop’ in New Delhi at Goethe Institute and JNU University, engaging Kiran Nadar Museum of Art, & British Council (50 participants- budget £54K- Leading to commissions/defining the identity of VisionMix; showcasing films/artists’ talks & providing networking platforms).

2014-15: A documentary film (directed/filmed by me) on 12 leading artist- filmmakers from across India, anticipating professional exchange between Asian-British & Indian artist-filmmakers/producers. (Partner: The South Asia Institute, UK).

I am interested in media theory and post-1850s literary history and theory (especially Virginia Woolf, Anglo-American and European modernisms), with a focus on politics, feminism, and the philosophy of media (media ethics, digital ontology, loss, mourning). I am also interested in the intellectual and socio-cultural reception of Ancient Greek texts (mainly philosophy and drama). 

My research focus is the formation of classed identities. I am interested in the everyday experiences of people who live on council estates and the material and social conditions which produce and legitimate knowledges of these people and this place. My research explores the connections between place and identity through an analysis of the material and social production of the estate as a classed position. I am interested in the role of affect in the formation and reformation of classed selves. Specifically, developing Bourdieu’s conceptualisation of the habitus to explore the visceral sensation through which the body is disciplined in moments of difference.

Dr. Vasileios (Vas) Leontitsis is a lecturer in Globalisation Studies at the University of Brighton. He has previously worked at the University of Sheffield and the London School of Economics (LSE). He holds a PhD in Politics from the University of Sheffield (2010), an MA in International Political Economy from Warwick University (2001), and a BA in International and European Economic Studies from the Athens University of Economics and Business (2000). His predominant research interests lie in the spheres of post-development, environmental politics,  EU and Greek politics and migration studies. He has published on decentralisation in Greece, the EU environmental policy and the process of Europeanisation. 

Within the broad context of space, place and culture I am fascinated by the embodied and performative dynamics of human experience and behaviour.  Underpinned by a longstanding interest and intellectual engagement with the ‘architecture’ of space, my focus encompasses the material, virtual and simulated spaces associated with everyday life. For example, the sea and the coast, cruise ships, popular film, photography, art, tourism and leisure.  I am interested in how people engage with, imagine and adapt to such landscapes and spaces.  

My continuing interest in cruise ships as bounded and transient spaces for work and leisure, framed by maritime heritage (film, dress, rituals of the sea, architecture), dates back to my past experience of living and working at sea. The intellectual and practical experience of cruise ships directly influenced my PhD research exploring the constructed discourses of cruise travel through an analysis of popular film (Ship of Fools, Carry on Cruising, Titanic).   In so doing it acknowledged the multisensory nature of film and how the liminal realm of film space is experienced in and through the imagination, memory and emotion.

My interests in maritime heritage and histories of the sea / coastal cultures also encompasses how the visual and material world create new narratives of meaning that help to shape individual and collective identities alongside particular experiences and encounters with the ocean and liminal environments where land and water meet. I continue to be interested in the power of discourse generally, and specifically the critical discourse highlighting the consequential socio-cultural impacts of cruise ships and their associated activities on coastal regions and destinations.

Core areas of activity, including the areas for PhD supervision are:

The visual and visuality

Embodiment and the senses

Architecture and materiality

The coast / seascapes

Maritime heritage

Cruise ships and cruise liners

My research addresses the implicit background to political and ethical practices. In my current research, I attend to the ontological assumptions in political analyses and imaginaries:

Racism, coloniality and ontology

This research interrogates the turn towards the philosophical concept of ‘ontology’ in attempts to understand relations among nature, materiality, technology, agency, change, difference, and the human. I am especially interested in how contemporary theorisations of racism, migration, borders, and sovereign power often draw – directly or indirectly – upon the concept of ontology. I draw upon decolonial critiques of the history of the concept of ontology, examining the relationships between its emergence and the development of colonial and racist cosmologies. This research explores the legacies of these relationships for contemporary theorising.

In my previous research, the kinds of implicit backgrounds I focused on were historically- and geographically-specific modes of embodiment and affect:

The Politics of Race, Ethnicity, Sexuality, and Gender in Everyday Practice

I have developed innovative theorisations of the affective, bodily and ‘machinic’ background to the micro-politics of everyday life. This research builds on my doctoral study to examine how racialised, ethnicised, sexualised and gendered power relations are enacted and embodied in everyday practice. Theoretically, it is informed by Deleuzoguattarian theories of ‘affect’ and ‘machinism’ to explore new ways of thinking about the relationship between the capabilities bodies have to affect and be affected by one another in specific events and broader historically-specific social and political formations.

Sexual Politics in the SlutWalk

Based on empirical work conducted at SlutWalk marches in 2011 and 2012, this project – a collaboration with Alexandra Fanghanel (University of Greenwich) – considered how anti-rape discourses variously contest, negotiate and reproduce dominant constructions of female sexual subjectivity and embodiment and of gendered inequalities in access to urban public space.

Research Interests

My research interests are in migration and the life course, most specifically in the context of South Asian Diasporas. I have been part of research teams and a co-investigator for projects funded by the ESRC and AHRC held at the University of Sussex and London Southbank University. I have been keen to understand the significance of transnational ties, belonging and identity exploring these through the lens of Bourdieu’s work underlining social and cultural capital. I am also interested in developing innovative research practices. For my doctorate I conducted multi-sited research across international borders and more recently, I have utilised participatory and creative research practices (with children).

Teaching interest

I have developed several courses as part of the sociology programme and these are based on my research interests and practices. My teaching practice is informed by being research led and to this effect I offer courses on ‘Childhood across cultures’; ‘Emotions in Society’ as well as ‘Mobile Lives’.  I co-ordinate a year long, level 2 course ‘Researching Social and Cultural Life’, as well ‘Global Cultures’. I have also developed courses for politics students such as ‘Nation and Nationalism’ and contribute to Level 6 course on International Relations

Scholarly Biography

I undertook my BA in English and Literary studies and went on to undertake my post graduate studies at University of Sussex receiving an MA in ‘Race, Culture, Difference’, and a PhD in Social Anthropology (2003) supervised by professor Katy Gardner.  I have worked as a Research Assistant at the Ethnicity and Social Policy Research Centre (University of Bradford) and as a Research Fellow at the Families and Social Capital Research ESRC Centre (London South Bank University). Prior to joining Brighton University I held the position of  Research Fellow on an AHRC funded research project entitled 'Home and Away: Experiences and Representations of transnational South Asian Children'. I currently hold the position of Senior Lecturer (sociology) at the School of Applied Social Science at the University of Brighton.

Community and Impact

An exhibition of children's art, arising from the research with Children of Bangladeshi heritage, has been on display at the V&A Museum of Childhood. A report of this can be read on BBC on-line: http://news.bbc.co.uk/1/hi/england/sussex/7898294.stm

http://news.bbc.co.uk/1/hi/england/sussex/7898256.stm#

My current research interests fall into two areas: 1. Understanding the properties of duricrusts and applying this knowledge in archaeological contexts; (2) Unravelling climate histories in southern Africa through the analysis of documentary evidence.

My primary area of research concerns the development and environmental significance of silcrete duricrusts. The primary goals of this research are to (a) characterise the micromorphology and geochemistry of duricrusts developed in different landscape settings, (b) assess the extent to which duricrusts may be used as indicators of past environments, and (c) apply this fundamental knowledge for use in archaeological contexts. To date, my research has focused mainly upon non-pedogenic silcretes in the Kalahari Desert, central Australia, and the UK, with archaeology-related work in southern Africa and the Stonehenge landscape (UK).

My second research focus is the reconstruction of past climate variability through analyses of historical documents, particularly missionary and other colonial sources. Working with collaborators in Europe and southern Africa, I have developed novel methodologies to establish chronologies of hydroclimatic variability in the Kalahari Desert, Lesotho, KwaZulu-Natal (South Africa), Madagascar and western India using these materials.

Darren Newbury’s principal research interests lie in the relationship between photography, history, politics and cultural memory, with a particular concentration on Africa, and South Africa specifically. Significant publications include: Defiant Images: Photography and Apartheid South Africa (2009), a major monograph on photography during the apartheid period and its place in post-apartheid memorialisation; People Apart: 1950s Cape Town Revisited (2013), a photobook based on the recently rediscovered collection of photographer Bryan Heseltine; and The African Photographic Archive: Research and Curatorial Strategies (2015), co-edited with Christopher Morton, a volume exploring new methodological approaches to researching and curating the photographic archive, in addition to its specifically African concerns. He has also recently co-edited a Special Issue of Visual Studies on ‘Photography and African Futures’ (2018) with Richard Vokes, which through a series of case studies examines how and why, from early colonial times onwards, states, institutions, political parties, civil society organizations and individual citizens used photography as a means for representing various kinds of imagined futures. In addition to academic publications, he has curated exhibitions at the Pitt Rivers Museum, University of Oxford (2011-12) and District Six Museum, Cape Town (2013-14), based on his photographic research.

He has also researched and published on the history of British documentary photography, photographic education and community photography practices. He has a long-standing interest in visual research methods and was editor of the international journal Visual Studies from 2003 to 2015.

He has recently edited a volume on Women and Photography in Africa, with Lorena Rizzo and Kylie Thomas; and is working on a major study of the role of photography in US public diplomacy in Africa during the period of the Cold War and African decolonisation.

In 2020, he received the Royal Anthropological Institute Photography Committee Award for his distinguished contribution to the study of photography and anthropology.

My research examines the ways humans relate to the environment, and the universe more generally, and the ways in which these relationships are challenged by social movements.

My work on the sociology of outer space covers historical cosmologies, contemporary space technologies and science fiction. I am particularly interested at the moment in the way in which outer space is being conceived as an ‘environment’ and what that means for our future interaction with it. This includes issues around the use of space resources, orbital debris, and the protection of wilderness sites. In 2007 I co-authored the first overview text on the sociology of outer space, Cosmic Society: Towards a Sociology of the Universe, with Peter Dickens. In 2016 we edited the Palgrave International Handbook of Society, Culture and Outer Space. I have recently completed a chapter on outer space for the Cambridge Handbook of Environmental Sociology.

My work on social movements draws on psychoanalytic theory, and argues for the centrality of fantasy to activism, culminating in my 2014 book, Fantasy and Social Movements. I have published illustrative case studies of the pro-space movement, the outer space protection movement and the Voluntary Human Extinction Movement.

I have also recently edited a book, Changing our Environment, Changing Ourselves: Nature, Labour, Knowledge and Alienation, which examines themes emerging from the environmental sociology of Peter Dickens. I am currently working with my colleague Matthew Adams on human-animal relations, and more specifically urban shepherding programmes.

My research interests broadly concern issues of inclusivity in the history of art, art museums and art collections, as well as a subject specialization in nineteenth century visual culture with a focus on portraiture. My primary concerns are how gender and related social formations (sexuality, the nation, the modern) organize the production and circulation of visual images. I have applied feminist methods to research on the 19th, 20th and 21st centuries including through a number of collaborations with artists, curators and cultural organizations.

Judy Rabinowitz Price lives and works in London. Her art practice is research-based and includes photography, moving image and sound, composed as single-screen works and multiscreen installations.

A focus of her work is how art can produce different ways of thinking about contested landscapes and sites of geopolitical struggle, to make visible the different layers of representation, economy, history and subjectivity. Informed by the dialogue between art and ethnography her practice necessarily involves extensive field research often drawing on images and sounds from archival sources as well as the sustained study of a place or space. She often involves works collaboratively where the role of the artist as activist and ethnographer comes under scrutiny. Palestine has been an enduring focus of her work over the last 10 years.

In her long-form film and installation Quarries of Wondering Stone (2014-2017), Judy explored the quarries in the Occupied Palestine Territories as a both a physical, metaphorical and subjective space focusing on a culture's edges, endings, displacements and disappearances. The quarries are drawn on not just as industrial spaces where labour and excavation of stone take place, but also as the disruptive spaces of colonialism and globalization. In her film, White Oil Price elucidates our understanding and experience of the quarries and the spatial dynamics of the West Bank by weaving together complex layers of history, time and space through spoken texts, images and sound. This is performed through the owners, workers and security guard and the various complexities of interweaved communities. In this way, loss and absence come to bear with regard to personal histories and experiences as well as the changing landscape and conditions of the quarries. In this work relationships and community become as much part of Price’s métier as the image.

Her current research Architecture of the Bush explores the overwritten histories and redrawn boundaries of the Kruger National Park (KNP) in the Limpopo province, South Africa and Limpopo National Park which extends into Mozambique. Established under the 1926 National Parks Act, the KNP stretches for over 220 miles alongside South Africa's eastern perimeter and Mozambique and is a deeply contested landscape. Engaging with the spatial politics of the regions her research explores the complex political ecologies and entanglements of the KNP through the militarization of the area and its borders with Mozambique during the apartheid regime and today in post-apartheid South Africa. The research seeks to address the social and spatial inequalities within the Limpopo Province and bordering Mozambique and to what extent different social groups and peoples are defining the political ecology of the space and ancestral rights granted to displaced peoples from the KNP, as well as the ecology of human and non-human relations. The research traverses a number of disciplines bringing together artists, filmmakers, critical theorists, geographers, sociologists and lawyers.

Concurrently Judy is also working on new film and artwork that engages with the former site of the of Holloway Women's Prison in London that was decommissioned in 2016. Her research is embedded in the architecture of the prison (archival research, architectural, objects, sculptures, interiors and exteriors) and engages with the lived experiences of people and the history of the immediate vicinity of the area, including Penderyn Way that backs onto the existing site of Holloway, and where she has lived since 2006. The End of a Sentence draws on individual and collective stories of prison to make visible issues around gender, class, race and economy as well as reflecting on Holloway’s legacy spatially and ideologically as a site of remembrance and absence.

Judy studied Critical Fine Art Practice (BA), Central Saint Martins College of Art & Design London, Photography, Royal College of Art (MA), London and Media Arts Philosophy & Practice at Greenwich University, London as Associate Post-Grad Researcher. From 2008-9 she was Cocheme Fellow at the University of the Arts, London and associate artist from 2009-2010.  In 2014 she was awarded a PhD from the University of Creative Arts for her film White Oil and thesis, ‘White Oil and the Disappearance of the West Bank’ that focuses on the quarries in the Occupied Palestinian Territories.

She is currently a senior lecturer in Moving Image (BA), University of Brighton and course leader Photography (MA), Kingston University. From 2008–2014 she was a visiting lecturer at the International Academy of Art, Palestine and initiated a series of student exchange programs between Palestine and UK institutions. In 2013 she was a guest professor at Akademie der Bildenden Künste Nürnberg and associate Professor at Bergen National Academy of the Arts, Bergen, Norway from 2007-2008. Judy was a mentor for artists working with digital media on the Electric Green House residency, B3 Media, London and lead artist for a number of digital photography educational projects in London, including Southwark Somali Refugee Council, Deesha Community, Toynbee Hall and Shacklewell Primary School, London, commissioned by HS Projects and Insight Community Arts Programme (ICAP).

Solo exhibitions include Mosaic Rooms, London, Danielle Arnaud Gallery, London, Wingsford Arts, Suffolk, Stiftelsen 3,14 and USF Centre, Bergen, Norway. Group exhibitions and screenings include: Qattan foundation, Ramallah, Palestinian Film Week, Cinema Akil, Dubai, Delfina Foundation, Imperial War Museum, Barbican, Curzon Cinema Soho, Curzon Cinema Goldsmiths, ICA, Whitechapel Gallery, City Hall, Purcell Rooms at Queen Elizabeth Hall, London, Tatton Biennale, Manchester, Cambridge Film festival and Tent Gallery, Edinburgh, Galerie Leonard & Bina Ellen Art Gallery, Montreal, Kunshaus Cinema, Nürnberg, Ken Saro-Wiwa Foundation, Port Harcourt, Nigeria, Khalil Sakakini Cultural Centre, Birzeit University Museum, Riwaq, Centre for Architectural Conservation Ramallah, Campus in Camps, Dheisheh Refugee Camp and Dar Annadwa Cultural Centre, Bethlehem and Al- Ma’mal Foundation for Contemporary Art, Jerusalem amongst others.

Judy is available to supervise students for MRes and PhD research.

Rajapillai’s research interest is the area of cross-cultural collaboration/communication and migration and identity. She is interested in investigating the role of culture in the uptake and use of online communication technology for cross-cultural collaboration/communication. Her research interest includes Web 2 technology for learning and teaching.

She is also interested issues surrounding identity construction of migrants. 

My research continues and develops the focus on architectural and urban mobilities, developing new connections between mobilities and urban infrastructures such as elevated highways (Robertson 2007, 2011, 2014, 2016), more recent publications on the relationship between, and drawn representations of urban design and mobilities in street spaces in Brighton (Robertson 2016, Murray and Robertson 2016, 2017) and ongoing work on illumination and re-construction of territorial edges through photography (2019). 

I’m an economic sociologist excited by the impact of technology on society, education and business. My joint research project into the Fully Functioning University was awarded Researchers of the Year 2017 by Professor Mark Cowling, Brighton Business School Head of research. The findings have been published by Emerald as part of their Great Debates in Higher Education series.

I research the history and role of higher education, graduate employability and how graduates might best be served by university. I am interested by the role social media, big data and internet technologies in how society works and how business is conducted.

Raphael’s research is in the areas of protest and social movements, criminology and criminal justice, and social and political theory. He is the author of a book on European social movements (Against Old Europe, Routledge) and he has published widely on protest, policing and critical theory. His work has been published in leading academic journals such as Citizenship Studies, Critical Social Policy, Social Movement Studies, Environmental Politics, Sociology Compass and the European Journal of Social Theory.

He currently leads a research project that scrutinises the public inquiry into undercover policing in England and Wales, with initial funds coming from Brighton University's Rising Stars Award. Raphael was interviewed about the research on the European TV network ARTE and has provided expert commentary on the delays and secrecy clouding the inquiry in the Independent, the Conversation and a range of blogs.

Previously he has received the Colin Seymour-Ure prize for his undergraduate thesis from the University of Kent, a four-year studentship from the Economic and Social Research Council (ESRC) for his doctoral research at the University of Manchester and a Visiting Research Fellowship at the University of Nottingham.

Raphael currently serves on the Editorial Board of Sociology Research Online (since 2015) and on the Management Board of the university's Centre for Spatial, Environmental and Cultural Politics. He is a member of the British Society of Criminology, the Socio-Legal Studies Association, and a Fellow of the Higher Education Academy.

Scholarly biography

Dr Kirsty Smallbone is Head of School of the Environment and Technology.  Her day to day work concentrates on the leadership and management of the School, and in contributing to the wider leadership of the University.  Kirsty is a member of the IT Strategic Governance group and the TEF development group, and recently led the school to a Bronze Athena SWAN award. She has over 20 years of research experience with interests in the spatial and temporal distribution of tropospheric air pollution, strategies for its mitigation and, more recently, the perception of air quality and the environment.

Dr Smallbone has attracted funds of over £1.5 million for her research, including grants from Local Government, the Department of Environment, Food and Rural Affairs and the European Union.  She has successfully supervised two Doctorate (PhD) research degrees and one MPhil research degree.  She has also developed an enterprise stream of funding, and has been awarded £25,000 for a University innovation project to develop low cost but accurate particulate matter sensors.

Dr Smallbone has authored over 12 peer-reviewed publications and more than 14 conference papers. She has presented her work to academics, practitioners, health professionals, politicians, school children and the general public. She has been invited to give keynote lectures throughout the UK and Europe.  Dr Smallbone passionately believes that research should be accessible and therefore has also written an education ‘pack’ for key stage 2 school children aimed at increasing awareness of the issues surrounding air pollution. She has also developed a toolkit for those with chronic respiratory illnesses and the elderly, widely used in the UK and in Europe.

Approach to teaching

I am passionate about education and life long learning.  I believe in allowing students to develop their skills by the practical application of knowledge.  I also encourage students to read extensively and take a critical approach to peer-reviewed and grey literature.  For example, in my Environmental Management module I ensure that students have the opportunity to undertake an environmental audit. In my Air Quality Management module, students get to design a mini research project to look, as a class, into an aspect of air pollution that they have identified as important and interesting. This then forms the basis of their assessment task.  Being able to assess your own progress in learning is something I see as crucial in encouraging students to grow in confidence in their own abilities. I’m also keen on data analysis and enjoy teaching students to enjoy, or at least understand, the how and the why of multivariate statistical analysis (regression being my favourite).

Research interests

Crossing the divide between the natural and the social sciences, my main research interests focus on the impact of tropospheric air pollution:

1. Air quality science

Air pollution is responsible for an estimated 310,000 premature deaths per year in Europe alone (WHO 2015), with associated societal, economic and environmental costs. My research uses cutting edge monitoring equipment to explore what is in the air that we breathe, and thus what we can do to reduce air pollution and improve health.  In particular, my research examines the reactive trace species of atmospheric pollutants, including 'ultrafine particles' (UFP), for which there is emerging evidence regarding their hazardous nature to human health.

2. Perceptions of Air Quality

In order to reduce local air pollution, it is important to understand how people perceive air pollution, and how to disentangle it in people’s minds from climate change.  Air pollution disproportionately affects the elderly, the young and those with pre-existing cardio-respiratory conditions.  My research examines the most effective ways to communicate information on air pollution, how this information is perceived, and what makes people listen.

Her research interests broadly encompass 'public control over the wider determinants of health'. This includes 'access to information' and UK public health policy implemented in settings such as workplaces and local government.

Her interests are influenced by World Health Organization strategy, e.g. the Ottawa Charter (1986) and the Helsinki Statement (2014: 2-3,9). The latter document calls for safeguards to protect policies from distortion by commercial and vested interests; transparent policy making and access to information; participation of wider society in the development and implementation of government policy; and environmental sustainability. 

She is currently researching public views on the NHS and public health leadership.

My research is centred very broadly around the psychological side of migration.

Using a variety of methodologies, the majority of my research focuses on ways to improve relationships between people of different backgrounds, and on improving health and well-being of ethnic and religious minority groups, particularly refugees. I like to explore these topics from a multidisciplinary and policy-focused perspective, for example by investigating how refugee resettlement policies can optimise integration and well-being of refugees. I am also investigating possibilities of using digital mental health interventions to improve refugee well-being. I have conducted research with a variety of majority and minority groups in the UK, the Netherlands, Canada, and Chile.

My research interests embrace interdisciiplinary approaches to the analysis of sport and leisure cultures in both historical and contemporary settings. My background in the humanities and sociology blends with cultural studies and much of my research has combined cultural historical work with a critical, and often investigative, cultural sociology. In the leisure sphere, I have researched the nature of sporting spectacle and the governance structures of international sport, and written extensively on football cultures across a spectrum from the local to the global. My most recent book - Sir Stanley Rous and the Growth of World Football: An Englishman Abroad (Cambridge Scholars Publishing, forthcoming 2020) - combines cultural history with sociological interpretation in subjecting the life of a former FIFA President and FA Secretary to close scrutiny. It takes the life of Rous as a lens for understanding the contribution of sport to forms of social mobility and cultural change, and to the wellbeing of citizens, from the later 19th century through to the last quarter of the 20th century. 

A concern with wellbeing, particularly in leisure forms and practices across the arts and sports, has been at the heart of collaborative work with colleagues at Brunel University London, and other institutions, in the ESRC-funded evidence review programme Culture, Sport and Wellbeing, and further follow-on work on Culture, Sport and Communities, co-funded by the ESRC and partner cultural associations.

My reseach interests are in contemporary literature and culture, most specifically in Black British and post-communist/'Eastern European' writing.

My recent monograph - the first book about the representations of 'Eastern European' migrants in contemporary British literature and culture - provides a comprehensive study of this 'wave' of migration to the UK and Western Europe following the enlargement of the EU in the 21st century, the social and political changes after the fall of communism, and the Brexit vote. It explores the recurring figures of 'Eastern Europeans' as a new reservoir of cheap labour in multiple contemporary cultural texts:

https://www.palgrave.com/gp/book/9781137537911#aboutBook

Recent publications include 'Eastern Europeans and BrexLit' (JPW Special Issue Writing Brexit: Colonial Remains), 'Redressing Racist Legacies in the Melancholic Nation: Anger and Silences in Andrea Levy’s Fruit of the Lemon' (forthcoming, Special In Memoriam Issue of Ariel: A Review of International English Literature) and (with Jo Hall and Vy Rajapillai), ‘Students as partners in decolonising the curriculum: lessons learnt at the University of Brighton, UK’ (Journal of Educational Innovation, Partnership and Change, 2021).

I am currently working on a series of invited contributions which include 'Euroscepticism and Brex(l)it' for an edited collection Europe in British Literature and Culture (ed. by Petra Rau and William Rossiter, CUP, 2021), 'BrexLit’s ‘Migrants: Healing the Fractured Community?’ for Community in Contemporary British Fiction (ed. Sara Upstone and Peter Ely, Bloomsbury 2022), and I am also working on my next book on contemporary Black British women's writing.

I also have an ongoing partnership with New Writing South and The Centre for the Study of Sexual Dissidence (Sussex University). Recent funded projects include The Coast is Queer, Brighton and Hove's LGBTQ+ literature festival (https://coastisqueer.com/) and Within the Four Walls: Queer Lockdown Stories (https://newwritingsouth.com/within-the-four-walls-queer-lockdown-stories).

Andre Viljoen is a leading figure researching the architectural and urban design consequences of sustainable urban food systems.

An architect, researcher and teacher in sustainability and urban design, Andre's work engages locally and internationally with artists, designers, architects, policy and communities.

Much of his research is undertaken collaboratively with colleague Katrin Bohn, and is cross disciplinary, bridging the arts, design and planning. He has also led pedagogic research into teaching and learning in design.

He and Bohn have contributed to, and set up, international conferences, exhibitions and workshops presenting architectural design research. Following the 2005 publication of their book "Continuous Productive Urban Landscapes: designing urban agriculture for sustainable cities", the number of invitations by academic, and civic organisations has expanded to include research and dissemination activities in public and professional audiences in Belgium, Canada, Cuba, Denmark, France, Germany, Italy, Ireland, Japan the Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, the UK and the US. Additionally, invited articles about the concept have been published widely, including in China, Korea and Russia.

Between 2013 and 2016 Andre was elected Chair of the Association of European Schools of Planning (AESOP) Special Interest Group: Sustainable Food Planning, and he continues as a member of the group’s advisory board.

As part of Tokyo’s hosting of the 2020 Olympics, he was invited as one of four international experts to advise a team from Tokyo University and the Mayor’s office for the City of Nerima in Tokyo, on plans for the 2019 World Urban Agriculture Summit.

Viljoen and Bohn’s research has been recognised externally by the architectural profession, agencies and activists.

In 2015, the book Second Nature Urban Agriculture, edited by Andre Viljoen and Katrin Bohn won the Royal Institute of British Architects (RIBA) international 2015 President's Award for outstanding university located research. This follows a 2007 shortlisting for the same award for their earlier book, Continuous Productive Urban Landscapes (CPULs).

The United Nations University Institute for Advanced Studies, 2010 Policy Report, Cities, Biodiversity and Governance: Perspectives and Challenges of the Implementation of the Convention on Biological Diversity at the City Level, referrers to the Continuous Productive Urban Landscapes concept as “a powerful urban design instrument for achieving local sustainability while reducing cities’ ecological footprints” (Pp 31-32).

Referring to the book “Continuous Productive Urban Landscapes” 2005, Rob Hopkins founder of the Transition Towns movement wrote, “Andre Viljoen has put together a book of the most profound importance at this point in history. How will we feed our cities beyond the age of cheap oil?” (26 Apr 2006 on “Transition Culture”).

And from the 21st October 2014, also by Rob Hopkins, on “Transition network”.

“Second Nature Urban Agriculture is pretty extraordinary.  If we are to create built environments which are ‘locked in’ to the radically low carbon future we need to be creating, we really can’t afford to build any new developments that don’t include urban agriculture.  It needs to be everywhere, and clearly at the moment that isn’t happening fast enough.  Viljoen and Bohn tackle this from a range of angles, and there is something here to inspire those anywhere along a spectrum from, at one end, wondering how to grow food where they live in a city, to, at the other, planners and designers wanting to undertake ambitious scale projects.  Hard to recommend it highly enough.”

• Social inequality and mental distress
• Critical community psychology
• Informal therapeutic spaces and settings
• Statactivism and academic activism
• Multi-stakeholder capacity building action-research in communities
• Care and young people with complex needs

I am a social psychologist. This means I am fascinated by people and their behaviour – particularly the ethical choices they make in life and how these connect with their personal values. While this interest is mostly explored in the context of tourism, for example, understanding responsible tourist behaviour I believe it is also important to challenge business to make ethical and responsible decisions.  This latter research tends to focus on the cruise industry, where I look into the impact of cruise tourism on destinations, and the environment, the industry’s human resource policies, and its strategic priorities. Underpinning my research is a strong sense of personal agency, and I especially enjoy working on projects that enable me to advocate for people, animals, and organisations that seek outcomes in support of social justice.

My research expertise encompasses avian ecology & conservation science, urban ecology, human-nature interactions, citizen science, and patterns & drivers of extinction risk. I'm passionate about sharing my sense of wonder and excitement about the natural world, including finding effective ways to conect membersof the public (particularly children and teenagers) with nature. Collectively, my research aims to better understand the impacts of both threatening processes and conservation actions on wildlife and people. I am a strong proponent of the conservation optimism movement, evidence-informed conservation, research transparency, and for reducing the current research-implementation gap.

I research legal aid, particularly for immigration and asylum, looking at conflicts between quality and financial viability for providers, and at discrepancies between demand and supply. I am an ESRC-funded postdoctoral research fellow in social policy. My research always has an applied focus and aims to produce insights which are useful to policy-makers, drawing on concepts from law and economics. Current projects include a comparative study with Scotland and investigation of local-specific barriers to provision of legal services in areas which are advice deserts.

My research focuses on community voices in town planning in New Towns Harlow and Hatfield. I am exploring the main players in the planning system in both towns, and the social, historical, political, economic or physical background to the towns which results in certain voices being more prominent than others in local planning matters. 

I studied Philosophy long ago. I was once a humanitarian worker in contexts of armed conflict and forced displacement. I am now a PhD researcher at the School of Humanities, University of Brighton. 

My research project explores the intersections of feminist peace research, feminist political ecology, environmental peacebuilding and decolonial feminisms. I look at the nexus conflict-women-nature-peace-memory through two main conceptual frameworks: the continuum territory-body and the conflict capital-life as framed in feminismos territoriales from Latin America as well as other feminisms that explore the linkages between environmental justice, gender justice and peacebuilding in contexts of (post)colonial war and occupation. To do so, I depart from women’s everyday praxes of peace and resistance to gender and environmental military and extractive violence. 

My areas of interest are the gender and environmental impacts of armed conflict, military industries and extractives as well as women’s everyday praxes of resistance and peacebuilding as life-nature-territory defenders and artists, particularly in the Northwest of Africa.

My initial research plan was on everyday life’s care of oil palm smallholders/family farms in Kalimantan, Indonesia when I started my PhD in 2019. When COVID made the ethnographic work impossible, I shifted to “Gendered Analysis of Family farm’s Care in Indonesian Oil Palm Sustainable Policy Discourse”. 

My research is informed by Feminist Political Ecology (FPE) and critical development studies. I recently started exploring the travelling theory from post-colonial thinker to make sense of my understanding of care as I travel from different spaces (Global North-South) and across my life stage.

Before joining the School of Environment and Technology at the University of Brighton as WEGO ITN early-stage researcher at the end of March 2019, I supported research and community programs with international, regional and national research institutes and NGOs. I contributed to research on a wide range of issues on land rights, rural development and gender equality. The last research I supported was governing oil palm for sustainable and gender-inclusive landscapes with the Center of International Forestry Research (CIFOR). 

WEGO-ITN: This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 764908.

Sean Heath is Social Anthropologist specializing in the body, movement, the senses, and human-water interactions. Currently he works as a PhD candidate at the University of Brighton on kinaesthetic and tactile senses of touch, community, and identity amongst competitive youth swimmers in the UK and Canada.

Francesca Kilpatrick is a Doctoral Researcher in climate communications, looking at how security and insecurity is conceptualised within the UK climate movement. Her PhD is funded by the ESRC South Coast Doctoral Training Partnership. She is Senior Editor of Interfere Journal for Critical Theory and Radical Politics, which is produced by the UoB postgraduate community. She is the PGR Representative for the Centre for Spatial, Cultural and Environmental Politics and is part of the Centre for Applied Politics, Philosophy and Economics. She teaches undergraduate qualitative and quantitative research methods at UoB, and on the MSc in Sustainable Resources at UCL.

Francesca's academic background is in Socio-Cultural Anthropology, moving to International Relations and Social Research Methods at post-graduate level, and now working in interdisciplinary research covering fields including Comparative Politics, Social Movement Studies, Security Studies and Policy Studies. Her specific academic interests include environmental politics, climate communications, climate policy, environmental and climate campaigning, climate justice and climate security

My current PhD research is focused on social aspects of rewilding. I am interest in the relationship between humans and nature, in particular, our separation and alienation from it. Rewilding I believe to be a product of this alienation, a desire to repair this dysfunction in society. However, unless we are critical of the problems that caused this breakdown (such as capitalism, private land ownership, colonialism) we may simply be reproducing the same problems.

My research interests include HIV and Gender, Female Genital Mutilation (FGM), Gender-Based Violence (GBV), Migration as well as Mental Health in the United Kingdom and in Zimbabwe. My ongoing PhD study is on FGM, Gender and Social Work- Working Title: "Female Genital Mutilation (FGM/C) in the SE UK: A Narrative Analysis of Professionals’ and of Affectees’ Engagement with Social Work Practice".

Alice is researching the knowlege politics of fracking and uncoventional fossil fuel extraction in the UK, critically examining whose knowledge comes to matter in this unfolding conflict over the environment and over contemporary democracy. Adopting approaches from Feminist Political Ecology, Science and Technology Studies and Environmental Justice, Alice is researching with the communities who have been mobilising diverse expertise and tactics to contest the arrival of the industry. 

WEGO-ITN: This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 764908

My research interests predominantly come under the umbrella of urban injustice. I am currently focusing on gentrification and displacement, but have previously undertaken research into homelessness and the community/voluntary sector. Within gentrification, I am interested in the full spectrum of im/mobilities encompassed by gentrification-induced-displacement, bringing a mobilities lens to understand the processes of un-homing and loss of a sense of place. I am interested in finding out the specific ways gentrification is manifesting and experienced at the urban seaside, looking at the relationship between tourism and gentrification. Furthermore, I am interested in theories of justice, particularly social, spatial and mobility justice.

I am also interested in creative, participatory, multisensory and mobile methods. I have developed a socio-sonic-mobile methodology using listening as a method. My doctoral project explores how listening practices can elicit people’s changing relationships to place. I am working with a local community music organisation to learn and share how listening activities and sound walks can be used as a tool for both research, community engagement and wellbeing purposes. This also furthers my interest in understanding how universities can work with local communities for mutual benefit. 

Epha J. Roe is an artist and researcher. With a background in lens-based media and creative writing, their visual practice broadly focuses on the combination of photographic and written representations of nature and its effects on everyday human experience. Their written work, which often takes form through poetry and short-form writing, tends to explore individual relationships, often influenced by intimate subjects and personal events.

As a practice-based PhD student in photography, Epha's research focusses on the role of ancient oak trees in relation to theroetical discussions surrounding heritage, landscape and ecological agency. Structured by a photographic study of twelve ancient oak trees in England, and the reasons (cultural and ecological) that they become a part of English heritage, the thesis is underpinned by the physical and conceptual ways in which human life is inter-woven with the natural world. 

My research interests focus on the potential of social media for sustainability discourse in cruise tourism. How do cruise tourists negotiate the boundaries of sustainability regarding their holiday? Which emotions are involved in these discourses? How are these emotions managed? I explore these questions in my PhD project “Cruising with a Conscience: Navigating moral identity and the ethics of sustainability in the cruise community.”

The PhD project I am currently working on is researching trans and non-binary embodied experiences and the implications for urban planning theory and practice. How does contemporary English local planning practice incorporate gender into policy and practice? Can planning be inclusive of trans and non-binary residents?

I am utilising creative mapping methods to explore trans and non-binary embodiment and spatialities, alongside discourse analysis and stakeholder interviews to understand local planning practice.

My research interests are contemporary urban governance and the role of planning within this; the geographies of gender and sexuality; British planning and it's relationship to colonialism; queer and transfeminist political praxis.

My practice-based doctoral research uses design to observe, engage and intervene in contemporary UK public breastfeeding discourses. This research focuses on gender, care, food, culture and motherhood and critically examines the role of design in relation to complex issues of sustainability.

My work explores counter-conventional approaches to research and practice across design and health disciplines. I am interested in how design can create meaningful dialogue using critical thinking and designed artefacts. 

My research interests are Radical methodologies, Design Anthropology; Research Through Design; Discursive design; Design for social change; Sustainable food and food systems; Intersectional feminist design agency; How design can positively impact health inequalities; The impact of design on everyday life, behaviours, norms, practices and belief systems. 

https://twitter.com/ahrcpress/status/1212358091917971456

Together with Ben Sweeting and Tom Ainsworth I am a co-creator of the Radical Methodologies Research and Enterprise Group.

https://research.brighton.ac.uk/en/organisations/radical-methodologies-ram-research-and-enterprise-group

http://blogs.brighton.ac.uk/radicalmethodologies/

As a PhD student with a background in geography and urban planning, Shaun Williams is undertaking research aimed at understanding how digital app data, provided by cyclists, are used to inform transportation planning and policy.

His PhD is funded by the ESRC South Coast Doctoral Training Partnership (Industrial Strategy Steer). He is also a member of the Centre for Digital Media Cultures and Centre for Spatial, Environmental and Cultural Politics at the University of Brighton. 

During MSc study at Cardiff University, UK, Williams worked as a Research Assistant on the EPSRC cycleBOOM project – a study that sought to understand cycling among the older population to help people continue cycling into older age.

With a background in comparative literature and literary theory, I trace patterns and trends in western perceptions of south-eastern Europe. I currently research representations of Montenegro, from the nineteenth century up to the present, through both global postcolonial and decolonial as well as regional balkanist discourse criticism. I take into consideration cultural, historical, political, geopolitical and economic contexts that shape western responses to south-eastern Europe. My research interests also focus on cultural memory and how transgenerational histories and narratives create ethnic, national and cultural identities of individuals.

• Ana Živković, “Early British Discursive Constructions of Montenegro (1840-1880)”, in Antonello Biagini and Giovanna Motta, eds, Empires and Nations from the Eighteenth to the Twentieth Century, Volume 2 (Newcastle: Cambridge Scholars Publishing, 2014), pp. 185-192.  http://www.cambridgescholars.com/empires-and-nations-from-the-eighteenth-to-the-twentieth-century-2