Who we are

Dr Matthew Adams is an interdisciplinary academic interested in mental health and distress, identity and the dynamics of social interaction, especially in the context of human-nature and human-animal relations, climate crisis and the Anthropocene. He is a Principal Lecturer in the School of Humanities and Social Science at the University of Brighton, UK. 

He undertakes research that explores the power of human connections to the rest of nature, including human-animal relations, focusing on experiences of mental health, wellbeing, belonging, identity and reciprocity. This includes how we respond to our ongoing ecological and climate crisis, and the wide range of responses involved including anxiety, grief, denial and defence mechanisms, anger, activism and resilience. He is also interested in 'posthuman' and multispecies approaches which emphasise nonhuman animal experience and human-animal interconnectedness. 

From October 2022 - May 2024 he will be on research leave, supported by an Arts and Humanities Research Council (AHRC) Fellowship. His focus will be the development of creative, arts-based and visual methods to critically explore the experiences of animals in scientific research. 

I am a critical social and community psychologist using discourse analysis and creative methods to look at how people are making sense of themselves and their lives in the context of neoliberalism. Previous research has included participatory work with lived-experience researchers to explore the role of arts in mental health; and a discursive approach to exploring contemporary constructions of happiness and wellbeing.

Nicola Ashmore's research interests focus on artistic interventions and curatorial practice, notably the means through which this can leverage collaborative activism.

She has made use of film documentary and digital technology as methodologies, investigating museum practices, community artists and collaborative practices. She is currently researching remakings of Picasso's Guernica.

Phil Ashworth is a Professor of Physical Geography specialising in river morphodynamics and sedimentology. His research interests span a range of scales including the largest rivers and estuaries in the world. He focusses on the field quantification of alluvial morphodynamics, the diversity of large river pattern and the application of fluvial sedimentology in characterising reservoir heterogeneity. This work has been supported by 16 NERC grants and several contracts from the petroleum industry.

Recent projects include quantifying the relationship between fluvial processes and preserved sedimentology in the world’s largest rivers, quantifying the morphodynamics and sedimentology of large estuaries and assessing the impacts of drought in South Africa.

Ongoing projects are quantifying bedform dynamics in unsteady flows and modelling how sediment suspension controls the morphology and evolution of sand-bed rivers. He has recently been awarded two new NERC grants: (1) Propagation of hydro-geomorphic disturbances through continental-scale river basins: Future evolution of the Amazon River and its floodplain (started 1 December 2020, 3 years) with Andrew Nicholas and Rolf Aalto; and (2) The evolution of global flood hazard and risk (started 1 May 2021, 5 years) with a consortium of investigators in 8 other universities [Large Grant, NE/S015655/1, twitter; website]

Phil's research projects have been based in Argentina, Bangladesh, Brazil, Canada, New Zealand, South Africa and USA, and earlier work focussed on experimental modelling of braided rivers in a tilting, aggrading stream table.

Dr Harriet Atkinson is a historian of art and design. Until July 2023 she is Arts and Humanities Research Council Leadership Fellow and Principal Investigator on the project '"The Materialisation of Persuasion": Modernist Exhibitions in Britain for Propaganda and Resistance, 1933 to 1953'.  She co-leads Centre for Design History's research strand on Graphic Design Histories (with Professor Jeremy Aynsley).

Duncan is a qualified Chartered RIBA Architect who has practised, researched, and taught around issues of sustainable design, the Circular Economy and closed-loop systems for over 25 years. He has worked on projects as diverse as 'The Greenwich Millennium Village' in London with Ralph Erskine, the RIBA’s ‘House of the Future’, and more recently the multi-award-winning New Country House & Estate Master Plan in Hadlow Down East Sussex. Author of ‘The Re-Use Atlas: a designer’s guide towards a circular economy’ published by RIBA, he is perhaps best known for a series of thought-provoking ‘house’ projects testing issues of sustainable design and resource management including 'The House that Kevin Built’ in 2008 and ‘The Brighton Waste House’ in 2014.

Duncan is currently the Principal Investigator for two separate Interreg research programmes. One considers the viability of local waste flows to be processed into insulation for the social housing sector. The other, in partnership with Rotor DC of Brussels tests ideas associated with deconstructing late 20th Century/ early 21st Century buildings and re-constructing them. He lectures widely on issues relating to sustainable development and the circular economy in the design and construction industries. In December 2018 Duncan delivered a keynote address ‘Designers can save Planet Earth’ at the Grantham Institute for Climate Change at Imperial College. He is the curator of the annual ‘Waste Zone’ at FutureBuild; a three-day symposium and exhibition focusing on discussing many of the most pressing issues presenting the emerging concept of Circular Cities, involving over 50 invited speakers including Prof. Walter Stahel, Prof. Michael Braungart, Clare Ollerenshaw (LWARB), Gillie Hobbs (BRE), Dr. Zoe Laughlin (Inst.of Making) and David Benjamin of New York’s ‘The Living’.

Duncan’s research tests the viability of a number of practices and materials, recognising the potential of discarded “waste” as a valuable resource in the future of construction, as well as live projects as valuable teaching aides. Through his projects he fosters community development and regeneration, working with apprentice builders and students, informing young people of all ages as to their role in sustainable living. Duncan creates examples of community practice that, through the use of innovative techniques such as ‘resource mapping’ can redefine what local materials are and match them with local skills and trades.

Duncan has taught at both undergraduate and post-graduate level since 1994, recently running an undergraduate design studio at the School of Architecture & Design, as well as coordinating undergraduate Technology & Professional Practices modules. His research practice informs his teaching, and vice versa. Duncan recently coordinated the design and construction of the multi-award-winning Brighton Waste House with over 360 undergraduate students, volunteers, and apprentices. As well as being a successful ‘live project’ and pedagogic tool, it is also Europe’s first permanent building made of waste material and the host of a number of funded on-going research projects.

I trained as an architect and practice as an artist, whose practice often engages with the public realm.

My recent practice and research has explored material poetics, memory, heritage and regeneration. In my PhD, 'Détour and Retour: Practices and poetics of salt as narratives of relation and re-generation in Brixton', I proposed that a 'poetics of re-generation' could allow a renegotiation of the instrumentalised term regeneration, expanding the language of regeneration and spatialising relational practice to emphasise an ethics of regeneration practices.

Therefore from a practice perspective, I'm interested in how artistic interventions and critical spatial practices that highlight and reveal poetics of place could contribute to more ethical and effective models of regeneration (including a more ethical engagement with pasts of a place, spectral traces and relation to the new).

I'm currently working on Acts of Transfer, a practice-based research project, funded by Arts Council England, and the Centre for Spatial, Environmental and Cultural Politics at UoB, in collaboration with Dr Lizzie Lloyd (UWE), into the spaces and subjectivities of socially engaged practice and critical writing about the practice.

Through my PhD I became involved with the work of the poet and philosopher Édouard Glissant and his poetics of Relation. I'm currently working on research that seeks to understand how we can take Glissant's ideas into spatial and social practice in art and architecture.

I'm interested in the material cultures of migration and trade - which connect the historical and present - for example salt, which formed the basis of my PhD work. I'm interested in the relevance and significance of everyday practices, rituals and engagement with material culture to how places are made and continue to be remade and maintained.

Some of my recent artistic projects have explored textiles as a medium, and as part of collaborative research project Making Suburban Faith I worked with Professor Claire Dwyer and researcher Nazneen Ahmed at UCL to produce a collaborative textile art project, which has been written up in a number of papers and chapters, as well as an artists book (see outputs).

Other current art practice and research focuses on Yiddish political cultures in the Jewish East End from the 1880s to the 1930s. This research which has been funded by the Centre for Memory, Narrative and Histories was presented in an online exhibition in December 2020 and was the focus of an event in June 2021 with Tim Ingold, Ben Gidley and Rachel Garfield.  

Katrin Bohn teaches and researches sustainable architecture and urban design with a focus on urban food production. Much of her design research deals with the relationships between urban space and food-productive urban landscape and bridges the gaps between environmental design thinking, urban space production and sustainable lifestyles.

Since the UK's first urban agriculture conference Urban Nature (2001), co-curated by Bohn, she has contributed widely to conferences, publications, exhibitions and design and policy debates, both nationally and abroad. As an internationally recognised urban agriculture expert, she has also been advising on national and international research, policy documents and pioneer projects. Her work has been quoted by the UN and UNESCO and has influenced urban planning in the UK, as well as worldwide.

I am currently interested in exploring people's embodied and emotional relationships with digital data, devices and platforms in everyday places (e.g. home, work, transport and public spaces). I am focusing on the ways different people have different relationships ‘the digital’, highlighting how power continually manifests in and through digital technologies. I use feminist and queer methodological tools that enable an exploration of these issues.

I am also interested in the relationships between violence, vulnerability and embodiment. I am working on a colaborative project with Man Kind UK about men's unwanted sexual experiences (MUSE), exploring the barriers men face when trying to access formal support. 

My research experience is tied together through geographies of gender, sexuality and the body. At Oxford, I conducted research on the precarious lives of young working-class men, exploring the emotional and embodied experience of austerity. My PhD focused on men who use Grindr. I was interested in the ways masculinity, sexuality and desire emerge as queer men learned to use digital technologies for sex, dates and intimacy. As a research assistant at Newcastle University, I worked with LGBTQ+ people at a higher education institute to examine experiences of diversity and inclusion. In collaboration with Barnardo’s, I also worked with year 5 school children in North East England to explore – and challenge – their understandings of masculinity and what it means to be a man.

My research involves sociological, cultural and geographical analyses of race, ethnicity and popular culture. It is linked fundamentally by its central theme of qualitative observational research on ethnicities as lived in public cultures/spaces, and comprises explorations and critiques of the spatial dimensions of racialised inequality and resistance. My work emphasises notions of theoretical innovation, empirical originality and sociological intervention.

My research interests can be divided into four main areas:

- The experiences of British Asians in sport and leisure

- Social and cultural aspects of the contemporary English seaside and coast, especially the connections between race, whiteness, migration and ‘new’ spaces of multiculture

 - Theorising race and racism in football, with particular focus on connecting ideas around Empire, de/coloniality, racialised identities and anti-racist resistance

- Black British leisure and musical cultures and spaces

I have written / (co-)edited eight books: British Asians and Football: Culture, Identity, Exclusion (Routledge, 2007); Race, Ethnicity and Football: Persisting Debates and Emergent Issues (Routledge, 2011); Coastal Cultures: Liminality and Leisure (Leisure Studies Association, 2014); Sport and South Asian Diasporas: Playing Through Time and Space (Routledge, 2014); Race, Place and the Seaside: Postcards from the Edge (Palgrave Macmillan, 2016); Transforming Sport: Knowledges, Practices and Structures (Routledge, 2018); Racism and English Football: For Club and Country (Routledge, 2021); and Leisure, Racism, and National Populist Politics (Routledge, 2021).

My research interests include student voice, interdisciplinary teaching and learning, the professionalisation of teaching and learning in higher education.

My research focuses on violence, feminism, cities, criminology, policing and insecurity. My previous work centred on issues of (in)justice, human rights, critical theory and the theorising interlocking social inequalities relating to class, gender, race and ethnicity in the context of Brazil. My research has been published in academic journals such as Contemporary Social Science, the Bulletin for Latin American Research and the International Journal for Crime, Justice and Social Democracy.

I am currently the principal investigator of two collaborative research projects: 

• ‘Activism and Authoritarianism: understanding the social and environmental effects of authoritarian governance from the perspective of activists in Brazil’ (funded by the Rising Stars Award, University of Brighton 2020-2021); 
• ‘The impact of criminalisation on women and feminist activist groups in Brazil’ (funded by the British Academy, 2020-2023/grant number KFSBSF\100004). 

My current research projects examine sociocultural construction of risk, trust, and their management, public understanding of science and science communcation related to vaccines and 5G technology. A second strand of my research explores healthcare decision making amongs poor people in India.

I am currently collaborating with Discourse, Science, Publics Lab (Kieran O'Doherty) at University of Guelph, Canada on vaccine hesitancy in Ontario and with Dr Chetan Sinha Jindal GLobal University, Sonepat, India on strategic risk taking in health decisions amongs poor people in India.

My research interests focus around understanding the fundamental question of what it means to be human. I am interested in knowing whether certain abilities that we all take for granted such as language, symbolism, and abstract thought are unique to our species (Homo sapiens) or were present in other ancient human species such as Homo heidelbergensis or the Neanderthals. In order to ascertain this I look at a range of evidence strands but I primarily focus on the stone tools left behind by our ancestors for clues to their mental capabilities. I am also interested in what cognitive, behavioural and social thresholds are needed by hominins in order to allow them to successfully disperse across the globe and overcome any environmental constraints. Finally, I am fascinated by how ancient hominins treated their dead, particularly how and why some of them seem to have practiced cannibalism. By understanding the treatment of the dead, we can gain greater insights to the lifeways and social structures of the living.

In order to try and understand our hominin ancestors I am involved with a number of archaeological projects here in the UK and in East Africa. My main research project is the Isimila Stone Age Project where I am the Director of a multi-institutional and international research collaboration between academic institutions in the UK and Tanzania.

Andrew is interested in how spatial planning can help to deliver climate change adaptation and mitigation, manage coastal change and flooding, encourage integrated water management and regulate short term rentals such as AirBnB.

Dr. Deanna Dadusc is a Senior Lecturer in Criminology at the School of Applied Social Science.

Her research analyses the criminalisation of social movements in Europe, including the criminalisation of migrants' solidarity and of housing struggles. Her research is informed by critical approaches to criminology addressing state, corporate and border violence from feminist and anti-racist perspectives. 

Together with Dr. Eleni Dimou and Prof. Pierpaolo Mudu, Deanna is currently co-authoring a book titled ‘’Borders, Repression and Resistance: the criminalisation of migrants’ solidarity’’ (Routledge, forthcoming).

Deanna paricipates in the Erasmus+ BRIDGES consortium, which brings together Universities and Civil Society organisations to tackle exclusion and discrimination in Higher Education, by using decolonial, anti-racist and feminist approaches and methodologies. The consortium includes the Feminist Autonomous Centre for Research and Za’atar in Athens;  the domestic workers union Sindillar and the Autonomous University of Barcelona; An.Ge.Kommen and the University of Giessen in Germany; the University of Brighton and the Office of Displaced Designers in the UK.

Deanna coordinates the 'Social Movements and Radical Politics' strand of the Centre for Applied Philosophy, Politics and Ethics (CAPPE - University of Brighton).

My research predominantly focuses on the political and social role of football fans. This includes the positive affect fans can have in challenging discrimination in football, and helping local communities and refugees. This invariably brings fans into conflict with the various regulatory bodies, such as football federations, governments and the police. Understanding the wider political economy of football helps situate these conflicts in their wider context. I supervise PhD students on projects related to political economy of sport, poltiical activism in football, anti-racism and anti-discrimination in sport, and the role sport can play in supporting refugees and migrants.

Professor Julie Doyle researches in media and communication and is an authority on climate communication. Her research examines the ways in which media and culture shape our understandings of, and responses to, climate change.

With a particular focus upon visual communication, Prof. Doyle has worked collaboratively with visual artists and cultural educators, and provided consultancy for environmental NGOs, government and the sustainability communications sector on best practice for climate and environmental communication.

Professor Doyle is committed to examining the role of media and communication in understanding and addressing climate change, and in working collaboratively to find ways to create more sustainable societies. She is Co-Director of the Centre for Spatial, Environmental and Cultural Politics, is Co-Chair of MeCCSA’s Climate Change Network and was a member of the founding Board of Directors of the International Environmental Communication Association (IECA).

Watch Professor Doyle's inaugural lecture, 'Communicating Climate Change in an Age of (Un)Certainty' (May 2017).

See Professor Doyle's research impact through her contributions to a REF2021 impact case study on Mobilising Visual Communication for Socio-Political Change

Robin Dunford's research addresses humanitarian intervention, the responsibility to protect, human rights, and decolonial ethics.

 1.     Civilian Protection, Humanitarian Intervention and the Responsibility to Protect

With Michael Neu (University of Brighton), Dunford is the author of Just War and the Responsibility to Protect: A Critique. This book argues that debates on Just War and the Responsibility to Protect fail to consider already existing forms of intervention – including arms trading, attempts to stoke ethnic tension, and measures that destroy the environment – that contribute to the emergence of humanitarian crises including genocide, ethnic cleansing, and war crimes. Dunford and Neu co-ordinate an emerging network which looks at how nonviolent approaches offer a more effective and justifiable alternative for protecting civilian victims of atrocity crimes.

2.     Human Rights and the Politics of Resistance

Dunford has written on social movement claims for human rights, focusing in particular on recent moves towards a United Nations Declaration on the Rights of Peasants and Other People Working in Rural Areas. Through a series of articles and a monograph entitled The Politics of Transnational Peasant Struggle, he has called for greater recognition within the Human Rights Council of the new collective rights demanded by activists. 

 3.     Decolonial  Ethics

The third project shows how a Decolonial ethics centred on the idea of ‘pluriversality’ – a world in which many worlds fit – offers a persuasive alternative to the cosmopolitan perspective that sits at the centre of contemporary Global Ethics. Having outlined central features of a decolonial global ethics in an article in the Journal of Global Ethics, Dunford is now exploring how a decolonial perspective can reframe debates concerning environmental ethics, food justice, and development ethics.

 4. Law, Ethics and Democracy

With Dr Lara Montesinos Coleman, Dunford co-ordinates the Law, Ethics and Democracy Collective: an action-research initiative between scholars at the Universities of Brighton and Sussex. The Project, which was founded in 2016, aims to bring together work in applied philosophy and political theory with struggles against the increasingly fascistic, anti-democratic and dubiously-legal forms of economy and government we encounter today. 

Additional Roles: 

Together with Professor Professor Bob Brecher and Dr Michael Neu, Dunford edits a book series with Rowman and Littlefield. Off the Fence: Morality, Politics, Society publishes short, sharply argued texts in applied moral and political philosophy, with an interdisciplinary focus. Robin is also co-convenor of the British International Studies Association's Ethics and World Politics working group.

My research career to date has focused on the development of innovative low-cost tools that tackle pressing global disease problems. In Malawi, the re-design and improved management of rural wells have provided low-income communities with safer drinking water. In Europe, new methods have identified human faecal contamination of rivers and established viral removal rates in a wastewater reuse systems. This information is helping water companies and environmental agencies to meet international standards and more effectively protect public health, by detecting, or interrupting the transmission routes of human waterborne diseases.

I undertake research in the broad field of political ecology. My work is informed by intersectional feminist theory, critical development studies and environmental advocacy-activism around resource extraction, with an empirical focus on the gendered ecological politics of displacement, resettlement and dispossession in forest and flood contexts in Indonesia and Thailand. Current projects include work on the ways that gendered processes of mobility and migrant remittances unsettle linear analyses of dispossession associated with oil palm investment. I am also exploring ways to rethink feminist political ecology by linking theories associated with 'material feminisms' to empirical work on mobility, environmental change and gender in Southeast Asia and the practice of feminist political ecology pedagogy and research in diverse professional contexts.

The main focus of my research is science; as it is represented in culture, as it is practiced in formal settings, and as a system of knowledge that we deploy in society. My research has been characterised as Science and Technology Studies (STS), but I prefer to think of myself as a sociologist of science, even though I go beyond traditional sociological research methods in my work.

My research uses ethnographic and cultural studies research methods – I have carried out a number of long-term ethnographic studies of science laboratories. My interest in formal science emerged from my earlier work in sociology of work which culminated in a number of books written with my colleagues Professor Harriet Bradley and Dr Steve Williams. After carrying out a large study of shop floor production workers I thought that finding a contrasting group would be interesting. I chose to look at academic scientists as they are a) incredibly productive, producing vast quantities of knowledge in the form of scientific journal articles, b) very highly qualified and c) despite having very low levels of job security are poorly unionised. My initial studies with this group of workers took a labour process approach but I soon focused on attitudes and motivations towards work, revisiting the work of Max Weber from 1918.

My interest in scientists’ work and knowledge production took me into examining climate change as a sociocultural discourse that is related to formal science and discourse. This research is ongoing as part of the Centre for Research in Spatial, Environmental and Cultural Politics.

Lambros' research focuses on police racism and the criminalisation of Black music (sub)culture(s), fusing Cultural Criminology with Black radical thought. He is particularly interested in how certain forms of public expression and creativity are not only marginalised in the relevant academic literature, but also criminalised by law enforcement agencies. As such, Lambros' work addresses "deviance" as a racialised political category in the context of Britain's colonial past and institutionally racist present, with a particular emphasis on policing.

Parts of his research on the policing of UK grime and drill music have been published in highly-ranked journals like The Sociological Review and Crime, Media, Culture ,while contributions to edited volumes include book chapters for Gordon and Newman’s Leading Works in Law and Social Justice (Routledge), Peršak and Di Ronco’s Harm and Disorder in the Urban Space: Social Control, Sense and Sensibility (Routledge) and Charles and Gani’s, 21st Century Black British Music (Liverpool University Press). Lambros is also the co-author of  Policing the Pandemic: How Public Health Becomes Public Order (with Melayna Lamb) and The Public and Their Platforms: Public Sociology in an Era of Social Media (with Mark Carrigan).

Lambros’ work is also featured in non-academic publications that include three short stories for the So-Fi sociological fiction zine and an extensive Introduction that he was commissioned to write for the Greek edition of A History of Seven Killings by the 2015 Man Booker Prize winner Marlon James.

I am a social and health psychologist with interests in health and well-being and how identity processes are related to these. My research focuses, firstly, on health behaviour change and, secondly, on reducing inequality in educational settings through interventions known to reduce stereotype threat.

My research interests include:

• Applying self-affirmation theory as an intervention in health
• Narrative health information
• Identity-related process in understanding stereotype threat
• Applying self-affirmation theory to buffer against stereotype threat
• Community-led research
• Health and educational inequality

My research interests lie in seeking to bridge the disjuncture between climate change science, water resources management practice and local articulations and experiences of changing water environments. My work is critically engaged with understanding how developed economies organize and manage their freshwater resources with regards to transitioning towards sustainable futures in the context of climate change. At heart my research explores why climate change narratives are still failing to resonate with most citizens, and are still not embedded within organisational praxis, and seeks to determine what approaches may close these gaps in order to support transitions towards sustainable futures. Inherent to this line of questioning are explorations of emergent forms of citizenship, discourses of governance and the links between landscape, taskscape and community within the late capitalist era. I draw on the work of Karen Bakker, Noel Castree, Eric Swyngedouw, Neil Adger and Tim Ingold to undertake empirical qualitative fieldwork which interrogates the political, cultural and physical intersections which co-create our sense of place, and our intimate, immediate relationship with our water environments

My research interests cover the geographies of sport and leisure. My doctoral research explored British cultures of adventure and the heroic masculinities associated with mountaineering. My more recent work is interested in the use, governance and regulation of public space for leisure and recreation, addressing issues such as access, property rights, citizenship and self-governance. Theoretically, my work cuts across human geography, sociology, politics, cultural studies, social history, sport studies and leisure theory. I employ a variety of theoretical tools to understand the spatial aspects of sport and leisure cultures - the spatial theories of Mikhail Bakhtin; Victor Turner's writings on liminality; gift theory; theories of affect; and, post-subcultural theories - and have contributed to the application of these approaches to empirical research in sport and leisure studies.

My current research interests include the social regulation of leisure in public space; countercultural sport; connecting people and communities through food and farming; and, the cultural heritage of waterscapes.

Methodologically, I specialise in qualitative and collaborative empirical methods and with Professor Neil Ravenscroft (University of Brighton) and Dr Niamh Moore (Edinburgh University) have developed the concept of ‘collaborative story spirals’ to describe a method of contextualised and situated biographical and narrative research; an approach that has been utilised in European heritage projects.

My research has been funded by the Arts and Humanities Research Council, British Academy, European Union (Interreg Programme), and Political Studies Association.

My current research focuses on the development of inclusivity, well-being and race equity within Higher Education pedagogies. These interests have developed out of my work within Educational Studies (specifically Higher Education) and Dance Studies (specifically Popular Dance Studies) in my past roles. This is directly supported by my work as Lead for the Inclusive Practice Partnerships Scheme and Institutional Lead for Inclusive Practice.  

Professor Jaspal's research cuts across the fields of psychology and public health, focussing particularly on social psychological approaches to promoting good psychological and physical health outcomes. He has developed the Health Adversity Risk Model (HARM) to predict the impact of social and psychological stressors and identity threat on health outcomes. Much of his research using the model has focused on HIV prevention, HIV care and mental health. With Professor Dame Glynis Breakwell, Rusi Jaspal has contributed to the development of Identity Process Theory. Additionally, Professor Jaspal has conducted extensive research into aspects of psychological wellbeing among gay men, the management of identities in conflict, national identity, prejudice and discrimination, public understanding of science, technology and medicine and the psychological impact of the COVID-19 pandemic. Rusi Jaspal is the author or editor of 6 books, and has written over 150 peer-reviewed journal articles and book chapters, and several reports for the Department of Health. He supervises and examines PhD students in his areas of expertise.

Olu Jenzen is Reader in Media Studies and the Director of the Research Centre for Transforming Sexuality and Gender. Her research ranges over different themes in Digital Media and Cultural Studies and Critical Theory with a particular interest in the aesthetics of protest, social media and LGBTQ activism and popular culture. She has published in journals such as Convergence; Gender, Place and Culture and Social Movement Studies and is the co-editor of The Aesthetics of Protest: Global Visual Culture and Communication, Amsterdam UP, 2020. 

Adam is a Principal Lecturer of Strategy and Marketing within the School of Business and Law at the University of Brighton.  Adam recently was awarded his PhD from the School of Applied Social Science at the University of Brighton. How are carbon-light holidays possible? a social practice analysis of no-flight holidays. He has a wealth of commercial knowledge gained from working at a senior strategic level in a FTSE 250 company. He started his career in the travel industry working as a tour guide rising to the position as Head of Marketing. It was during his time as Head of Marketing, Research and Product Development that he developed an expert understanding of the issues around strategic direction and the challenges applying the principles of strategic marketing to an extremely competitive and challenging commercial environment. Adam's work included developing the company's strategy for Corporate Social Responsibility (CSR) and setting industry wide reporting standards on CSR issues with the United Nations Environmental Program's.

Since joining the University Adam has led the validation of the two new Sport Business Management courses, has taken a lead role as the academic responsible for graduate employability, enterprise and innovation and is the Academic Subject Group Lead for Responsible Enterprise and Innovation. Adam has also been central to several consultancy projects related to tourism development. In addition to his academic studies his personal research interests focus primarily on leisure mobility, consumer behaviour change in connection with the environmental crisis facing the planet. He has also developed an innovative method of diary data collection, the email-diary.

Claudia Kappenberg’s research focuses on moving image, live and interdisciplinary performance practices and screendance, as well as the historical and theoretical narratives which underpin these practices. She is concerned with visual literacy, performance philosophy and concepts of body-mind integration, and their exploration within cinematic, choreographic and performative practices. This work is framed by a wider interest in questions of representation, feminist discussions and contemporary debates on neoliberalist politics and their impact on the artist and artistic production.

PhD application for research in related fields are welcome. For further information see TECHNE.

In her visual and performance practice Claudia Kappenberg draws on a background of dance and visual arts to create minimal choreographies which examine patterns of the everyday. The work is often developed for particular sites or reconfigured in their relocation to other sites and exhibited in the form of live interventions, gallery based performances or screen-based installations. The work has been shown in Europe, the United States and the Middle East.

Claudia Kappenberg is a founder-editor of the International Journal of Screendance and peer-reviews for a number of journals, as well as for research councils such as the British AHRC and the Canadian SSHRC. She undertakes consultancy for Screendance initiatives, juries on related film selection panels, and is regularly invited to speak at Screendance festivals such as in Buenos Aires, Limerick, Bordeaux, Brussels, Wuppertal, Basel, Bucharest, Freiburg. She has been guest lecturer at the École des Beaux Arts de Grenoble (France), Akademie der Künste (Munich, Germany) and Hazira Performing Arts (Jerusalem, Israel).

Claudia Kappenberg trained in Modern Dance, Butoh and Movement Analysis and danced professionally in Europe and New Zealand before coming to London in 1991.  She completed an MA Fine Art/Film and Video at Central Saint Martins College of Art and Design in 1998 and taught at Central Saint Martins and London Guildhall University until 2002. She worked freelance as videographer for Tate Modern, Tate Britain and independent arts organisations.

My research takes place at the intersections between psychoanalytic theory, Critical Theory, cultural theory and feminist philosophy. I have a particular interest in the philosophy, theory, politics and aesthetics of care, and the contribution that psychoanalytic understandings of subjectivity can make to academic knowledge in this area. This research focus is evident in my monograph, Donald Winnicott and the Politics of Care, published in the Palgrave Macmillan series, Studies in the Psychosocial, in 2022. In this project, I investigated what the work of psychoanalyst Donald Winnicott can contribute to understanding, as well as addressing, the crisis of care at the heart of contemporary society.

More broadly, my research interests centre on the relationship between psychoanalysis, culture and society. I am interested in exploring psychoanalytic thinking as a critical discourse in the Humanities, and as both a product, and active agent, of social and cultural change. I have an interest in the relationship between psychoanalysis, as theory and practice, and social justice; the politics of mental health; and the politics of reproduction and care. Theoretically, my work draws on Freudian, Lacanian, object relations and relational approaches to psychoanalysis, as well as Critical Theory; feminist theory; gender studies; and cultural studies. Much of my research to date has explored the knots that bind psychoanalytic thinking to cultural practices and social processes.

I am a Reader in Anthropology and Psychology in the School of Humanities and Social Science and Co-Director of the Centre for Spatial, Environmental and Cultural Politics (Director 2019-21). I am an anthropologist and interdisciplinary researcher working on areas of migration, violence, and migrant mental health in conflict and post-conflict societies in Asia: specifically, urban violence among Pakistan’s Urdu-speaking migrant communities in the megacity of Karachi, and transnational refugee migration from Afghanistan. My distinctive area lies in developing interdisciplinary theory that addresses challenges related to migration and mobility, contemporary formations of colonial, structural and political violence, and psychosocial impacts. I have published four books.‘Mohajir Militancy in Pakistan’ (2010, 2012, Routledge) analysed the trajectories of young men to extreme militancy and elite groups of mercenaries in Karachi during the conflicts of the 1990s. Second, ‘Cityscapes of Violence in Karachi’ (2017 ed., Oxford University Press; Hurst & Co.) shifted the focus from a purely academic realm towards the creation of publics and counter-publics engaged in cultural and political commentary, and collaborations for change. My first two books analysed key severe impacts of historical and contemporary violence on communities.

My monograph ‘Arc of the Journeyman: Afghan Migrants in England’, the result of a second major long-term fieldwork, was published with the University of Minnesota Press (2020). Taking an empirical and imaginary field spanning Afghanistan, Pakistan, and England, it developed anthropological takes on mobility and immobility in relation to the transnational kinship obligations and everyday lives of Pashtun migrants. It showed how the burdens of four decades of war and exile fall unforgivingly on Afghan families and their remitting sons—whose enduring struggles, after many years, still enrich an inner archive of dreams, fears, rememberings, and anxieties. In a more refined focus on migration and mental health, my book ‘Mental Disorder: Anthropological Insights’ (University of Toronto Press), synthesised connections between anthropology and the “psych” disciplines— leading to ANRS funded research into irregular Pakistani migration, mobilities, infectious disease (hepatitis, HIV), and mental health in a Paris hospital, and an International Fellowship at the Institut Convergences Migrations in Paris (2020-23). I have also held visiting Scholarships at the National University of Singapore (2017) and Harvard Medical School (2020). I am currently working on a project about older people’s mental health and memories of state repression during COVID in three postcolonial societies on the South China Sea. Alongside, when I have time I am writing a short monograph entitled "The Breath of Empire", in which I am thinking about transgenerational trauma in female kinship relations in the context of colonial Chinese immigration to Britain.

I serve on the University Board of Governors, and I am a Trustee and Council member of the Royal Anthropological Institute. I am also a Fellow of the Royal Anthropological Institute, a Fellow of the Royal Asiatic Society, and a Chartered psychologist (British Psychological Society).

Lucía King’s research and practice fall into three strands. The first pertains to her work as a practitioner in drawing, painting and installation artworks. The second concerns her engagement as a researcher of artists’ moving image. Following a period of residency in India in the 2000s, Lucía acquired a PhD from SOAS Centre for Media and Film (University of London) specialising in the creative methodologies of South Asian artists’ filmmakers and experimental documentary filmmakers, including the transnational distribution contexts of their works (1990s to the present). Thirdly, she is a curator of artists’ moving image and, in 2014, she founded VisionMix, an artist-led professional network of artists, filmmakers and curators that operates transnationally, with many of its associate members based in India.          

Drawing and Spatial PracticeLucía’s large-scale drawings (2014-2021) investigate the shared temporal and spatial properties of filmmaking and painting as artistic disciplines; the ways that storytelling in a film creates a perceptual relationship with the viewer in relation to the painted or the drawn image.  In one of her key series of drawings, Making the land to live on, the landscapes and urban city-scapes, her drawings are on large rolls of Arches paper, and the proportion of the drawing relates to Cinemascope framing in film (a 1:2.35 aspect ratio). This encourages a link between the ‘stilled image’ and cinema spectatorship. Her drawings are a means of formulating a variety of imagined, improbable and non-figurative landscapes that couldn’t in actuality be inhabited; speculative spaces that represent a struggle to appropriate a sense of belonging to the lived environments. Lucía’s panoramas are an amassment of lines that disrupt and question the colonising gaze of western landscape painting, or the developmental paradigms of architecture visualisations of cities yet unbuilt. King has exhibited these works, and video animations that relate to the drawings in recent years, such as Espacio Santa Clara, Sevilla (2020); Aspa Contemporary, Madrid (2019); Appleton Gallery, Lisbon (2019); Santoraspace205, Santa Ana, California (2018) and ‘Future Orbits', Kochi-Muziris Biennial, (collateral Event) India (2017).

Website for drawing/installation practice: www.luciaking.co.uk

South Asian moving image research

Lucía’s research into Indian film and artists’ video is particularly focused on the processes and concepts of film authorship by filmmakers and producers, taking into account social and contextual determination and film historical legacies that precede them. Alongside Rashmi Sawhney, she guest edited a South Asian special edition of the journal, Moving Image Review and Arts journal (vol. 7.2) which assembles leading film- and art critical voices in a series of articles that discuss artists’ film and non-fiction film movements in India and Pakistan, from the 1980s to the present. The above, and other articles on this subject that Lucía has published, have emerged from her role as a founding Director of the moving image network, VisionMix since 2014.

VisionMix Curation

Lucía’s interested in curation has led to VisionMix’s importance in networking artists transnationally, whilst also generating practice-based research data that can be produced in international film professional contexts. VisionMix curates exhibitions,  knowledge exchange and produces publications that critique, and bring fresh vision into South Asian art and film research and its public showcasing See: https://www.visionmix.info/archive

VisionMix's  'Loss & Transience' exhibition at the Hong-gah Museum, Taipei, Taiwan (2021) brings the work of 10 moving image-makers in a physical exhibition and series of online presentations by the participants. Lucía hold a PhD in S. Asian arts, and is also a consultant to Arts producers. The British Council & ACE supported VisionMix from 2015 to the present, and also benefited from 9 other international funding grants and institutional support (2014-2021). A selection of previous projects include:

2019: Screening at Proyector Festival Madrid (2019)- Spain’s primary Moving Image festival (I led 2 public curator’s workshop/screenings).

2018: A Masterclass Series: VisionMix associates provide professional practice exchange (in Univ. of Winchester Film Production dept + VisionMix lab, UK).

2018: Published an extensive journal edition for: Moving Image Review & Arts Journal (MIRAJ) profiling the history/key South Asian movements in moving image, relevant to producers & researchers.

2017: Future Orbits - An exhibition + artists/curators’ laboratory- partners: Kochi-Muziris Biennial, South India + a leading Indian art institute.

2015: An ‘Artists, Filmmakers & Curators Workshop’ in New Delhi at Goethe Institute and JNU University, engaging Kiran Nadar Museum of Art, & British Council (50 participants- budget £54K- Leading to commissions/defining the identity of VisionMix; showcasing films/artists’ talks & providing networking platforms).

2014-15: A documentary film (directed/filmed by me) on 12 leading artist- filmmakers from across India, anticipating professional exchange between Asian-British & Indian artist-filmmakers/producers. (Partner: The South Asia Institute, UK).

I am interested in media theory and post-1850s literary history and theory (especially Virginia Woolf, Anglo-American and European modernisms), with a focus on politics, feminism, and the philosophy of media (media ethics, digital ontology, loss, mourning). I am also interested in the intellectual and socio-cultural reception of Ancient Greek texts (mainly philosophy and drama). 

My research focus is the formation of classed identities. I am interested in the everyday experiences of people who live on council estates and the material and social conditions which produce and legitimate knowledges of these people and this place. My research explores the connections between place and identity through an analysis of the material and social production of the estate as a classed position. I am interested in the role of affect in the formation and reformation of classed selves. Specifically, developing Bourdieu’s conceptualisation of the habitus to explore the visceral sensation through which the body is disciplined in moments of difference.

Yunah Lee's research interests are focused on the key themes of modernity, modernism and national identity in design and material culture and engaged with how these ideas have been developed and materialised within a national design context and translated and appropriated across cultural and national boundaries. 

East Asian Modern Design

Yunah’s recent research focus is on the development of East Asian design and design history since 1945. As a co-steering member of two AHRC Network Scheme projects, ‘Translating and writing Modern Design Histories in East Asia’ (2012-14) and ‘Fashion and Translation: Britain, Japan China and Korea’ (2014-15), Yunah has taken her research in the areas of Korean graphic design and fashion, investigating how modernity in Korean design emerged from the interactions with Euro-America, while being characterised by inter-regional interventions within East Asia, and how Korean designers and critics engaged with global innovation and creativity during the course. She is interested in building connections and networks with academics and practitioners working in the area of Korean design as well as Asian design. 

British Modern Design and National Identity

Yunah’s doctoral research, titled ‘Selling Modern British Design: Overseas Design Exhibitions by the Council of Industrial Design 1949-1971’ focused on the series of overseas design exhibitions organised or participated in by the Council of Industrial Design between 1949 and 1971. Through the reconstruction of these exhibitions, the research positioned the CoID’s exhibitions in the context of British government exhibition policy and national publicity and reviewed the notion of good design and commerciality in the period of 1950s and 1960s. Through careful inter-reading of texts and images, Yunah analysed and reconstructed the contents and styles of exhibitions and re-evaluated the principles and style of good modern British design promoted by the CoID. Yunah’s study revealed that a constant tension existed between traditional images and heritage, dominant and popular representation of Britishness, and the contemporary and modern aspects of Britain idealized by the CoID in its own design exhibition, therefore, contributed to debates about the diverse aspects of British identity and its representation through design exhibitions. 

Retail design: department store

Yunah’s research titled ‘Design for Profit: Barkers, Derry and Toms and Pontings during the Interwar Period’ dealt with the role of design in retail business. Through looking at changes in architecture and displays of three department stores in London during 1920s and 1930s, the study pondered upon the slogan of ‘design as a marketing tool’ and how identity and modernity was represented and perceived in various visual tools in retail design. The application of the Art Deco style to exterior and interior space and the new marketing campaigns, especially the use of posters, was interpreted in the theoretical frame of modernity and Modernism in British architecture and design during the interwar period.

Dr. Vasileios (Vas) Leontitsis is a lecturer in Globalisation Studies at the University of Brighton. He has previously worked at the University of Sheffield and the London School of Economics (LSE). He holds a PhD in Politics from the University of Sheffield (2010), an MA in International Political Economy from Warwick University (2001), and a BA in International and European Economic Studies from the Athens University of Economics and Business (2000). His predominant research interests lie in the spheres of post-development, environmental politics,  EU and Greek politics and migration studies. He has published on decentralisation in Greece, the EU environmental policy and the process of Europeanisation. 

Within the broad context of space, place and culture I am fascinated by the embodied and performative dynamics of human experience and behaviour.  Underpinned by a longstanding interest and intellectual engagement with the ‘architecture’ of space, my focus encompasses the material, virtual and simulated spaces associated with everyday life. For example, the sea and the coast, cruise ships, popular film, photography, art, tourism and leisure.  I am interested in how people engage with, imagine and adapt to such landscapes and spaces.  

My continuing interest in cruise ships as bounded and transient spaces for work and leisure, framed by maritime heritage (film, dress, rituals of the sea, architecture), dates back to my past experience of living and working at sea. The intellectual and practical experience of cruise ships directly influenced my PhD research exploring the constructed discourses of cruise travel through an analysis of popular film (Ship of Fools, Carry on Cruising, Titanic).   In so doing it acknowledged the multisensory nature of film and how the liminal realm of film space is experienced in and through the imagination, memory and emotion.

My interests in maritime heritage and histories of the sea / coastal cultures also encompasses how the visual and material world create new narratives of meaning that help to shape individual and collective identities alongside particular experiences and encounters with the ocean and liminal environments where land and water meet. I continue to be interested in the power of discourse generally, and specifically the critical discourse highlighting the consequential socio-cultural impacts of cruise ships and their associated activities on coastal regions and destinations.

Core areas of activity, including the areas for PhD supervision are:

The visual and visuality

Embodiment and the senses

Architecture and materiality

The coast / seascapes

Maritime heritage

Cruise ships and cruise liners

My research addresses the implicit background to political and ethical practices. In my current research, I attend to the ontological assumptions in political analyses and imaginaries:

Racism, coloniality and ontology

This research interrogates the turn towards the philosophical concept of ‘ontology’ in attempts to understand relations among nature, materiality, technology, agency, change, difference, and the human. I am especially interested in how contemporary theorisations of racism, migration, borders, and sovereign power often draw – directly or indirectly – upon the concept of ontology. I draw upon decolonial critiques of the history of the concept of ontology, examining the relationships between its emergence and the development of colonial and racist cosmologies. This research explores the legacies of these relationships for contemporary theorising.

In my previous research, the kinds of implicit backgrounds I focused on were historically- and geographically-specific modes of embodiment and affect:

The Politics of Race, Ethnicity, Sexuality, and Gender in Everyday Practice

I have developed innovative theorisations of the affective, bodily and ‘machinic’ background to the micro-politics of everyday life. This research builds on my doctoral study to examine how racialised, ethnicised, sexualised and gendered power relations are enacted and embodied in everyday practice. Theoretically, it is informed by Deleuzoguattarian theories of ‘affect’ and ‘machinism’ to explore new ways of thinking about the relationship between the capabilities bodies have to affect and be affected by one another in specific events and broader historically-specific social and political formations.

Sexual Politics in the SlutWalk

Based on empirical work conducted at SlutWalk marches in 2011 and 2012, this project – a collaboration with Alexandra Fanghanel (University of Greenwich) – considered how anti-rape discourses variously contest, negotiate and reproduce dominant constructions of female sexual subjectivity and embodiment and of gendered inequalities in access to urban public space.

My research interests are: Corporate governance, Environmental Sustainability, Cultural studies, Paradox theory, Institutional theory, Inclusive Marketing

Research Interests

My research interests are in migration and the life course, most specifically in the context of South Asian Diasporas. I have been part of research teams and a co-investigator for projects funded by the ESRC and AHRC held at the University of Sussex and London Southbank University. I have been keen to understand the significance of transnational ties, belonging and identity exploring these through the lens of Bourdieu’s work underlining social and cultural capital. I am also interested in developing innovative research practices. For my doctorate I conducted multi-sited research across international borders and more recently, I have utilised participatory and creative research practices (with children).

Teaching interest

I have developed several courses as part of the sociology programme and these are based on my research interests and practices. My teaching practice is informed by being research led and to this effect I offer courses on ‘Childhood across cultures’; ‘Emotions in Society’ as well as ‘Mobile Lives’.  I co-ordinate a year long, level 2 course ‘Researching Social and Cultural Life’, as well ‘Global Cultures’. I have also developed courses for politics students such as ‘Nation and Nationalism’ and contribute to Level 6 course on International Relations

Scholarly Biography

I undertook my BA in English and Literary studies and went on to undertake my post graduate studies at University of Sussex receiving an MA in ‘Race, Culture, Difference’, and a PhD in Social Anthropology (2003) supervised by professor Katy Gardner.  I have worked as a Research Assistant at the Ethnicity and Social Policy Research Centre (University of Bradford) and as a Research Fellow at the Families and Social Capital Research ESRC Centre (London South Bank University). Prior to joining Brighton University I held the position of  Research Fellow on an AHRC funded research project entitled 'Home and Away: Experiences and Representations of transnational South Asian Children'. I currently hold the position of Senior Lecturer (sociology) at the School of Applied Social Science at the University of Brighton.

Community and Impact

An exhibition of children's art, arising from the research with Children of Bangladeshi heritage, has been on display at the V&A Museum of Childhood. A report of this can be read on BBC on-line: http://news.bbc.co.uk/1/hi/england/sussex/7898294.stm

http://news.bbc.co.uk/1/hi/england/sussex/7898256.stm#

My research interests lie primarily in the field of labour economics, socio-economic development and applied econometrics, with a particular emphasis on the economic and social aspects of labour migration. My research focuses on three areas: 1. undocumented labour migration; 2. precarious and atypical forms of employment; 3. migration and regional development. I am interested in both applied and theoretical research in these areas and has conducted a range of research consultancies for the Development Centre of OECD, the Council of Europe, the Organisation for International Migration (IOM) and national bodies.

In November 2019, my project proposal on 'the impact of migrant remittances on promoting small and medium-sized enterprises in home countries' was approved for funding of a PhD studentship by the South Coast Doctoral Training Partnership:https://www.brighton.ac.uk/research-and-enterprise/postgraduate-research-degrees/funding-opportunities-and-studentships/2020-scdtp-migrant-remittances.aspx

In October 2017, I completed a project, concerning atypical and precarious forms of employment in Greece, in support of the impact assessment on the review of the Written Statement Directive (Directive 91/533/ECC), commissioned by PPMI - Public Policy and Management Institute, Vilnius, Lithuania. The study is available at: http://bit.ly/WSD-PPMI

I sit on the coordinating committee for Bulgaria in the longitudinal SHARE study - Survey of Health, Ageing and Retirement in Europe (http://issk-bas.org/share-survey-wave-7/).

My current research interests fall into two areas: 1. Understanding the properties of duricrusts and applying this knowledge in archaeological contexts; (2) Unravelling climate histories in southern Africa through the analysis of documentary evidence.

My primary area of research concerns the development and environmental significance of silcrete duricrusts. The primary goals of this research are to (a) characterise the micromorphology and geochemistry of duricrusts developed in different landscape settings, (b) assess the extent to which duricrusts may be used as indicators of past environments, and (c) apply this fundamental knowledge for use in archaeological contexts. To date, my research has focused mainly upon non-pedogenic silcretes in the Kalahari Desert, central Australia, and the UK, with archaeology-related work in southern Africa and the Stonehenge landscape (UK).

My second research focus is the reconstruction of past climate variability through analyses of historical documents, particularly missionary and other colonial sources. Working with collaborators in Europe and southern Africa, I have developed novel methodologies to establish chronologies of hydroclimatic variability in the Kalahari Desert, Lesotho, KwaZulu-Natal (South Africa), Madagascar and western India using these materials.

Darren Newbury’s principal research interests lie in the relationship between photography, history, politics and cultural memory, with a particular concentration on Africa, and South Africa specifically. Significant publications include: Defiant Images: Photography and Apartheid South Africa (2009), a major monograph on photography during the apartheid period and its place in post-apartheid memorialisation; People Apart: 1950s Cape Town Revisited (2013), a photobook based on the recently rediscovered collection of photographer Bryan Heseltine; and The African Photographic Archive: Research and Curatorial Strategies (2015), co-edited with Christopher Morton, a volume exploring new methodological approaches to researching and curating the photographic archive, in addition to its specifically African concerns. He has also recently co-edited a Special Issue of Visual Studies on ‘Photography and African Futures’ (2018) with Richard Vokes, which through a series of case studies examines how and why, from early colonial times onwards, states, institutions, political parties, civil society organizations and individual citizens used photography as a means for representing various kinds of imagined futures. In addition to academic publications, he has curated exhibitions at the Pitt Rivers Museum, University of Oxford (2011-12) and District Six Museum, Cape Town (2013-14), based on his photographic research.

He has also researched and published on the history of British documentary photography, photographic education and community photography practices. He has a long-standing interest in visual research methods and was editor of the international journal Visual Studies from 2003 to 2015.

He has recently edited a volume on Women and Photography in Africa, with Lorena Rizzo and Kylie Thomas; and is working on a major study of the role of photography in US public diplomacy in Africa during the period of the Cold War and African decolonisation.

In 2020, he received the Royal Anthropological Institute Photography Committee Award for his distinguished contribution to the study of photography and anthropology.

My research examines the ways humans relate to the environment, and the universe more generally, and the ways in which these relationships are challenged by social movements.

My work on the sociology of outer space covers historical cosmologies, contemporary space technologies and science fiction. I am particularly interested at the moment in the way in which outer space is being conceived as an ‘environment’ and what that means for our future interaction with it. This includes issues around the use of space resources, orbital debris, and the protection of wilderness sites. In 2007 I co-authored the first overview text on the sociology of outer space, Cosmic Society: Towards a Sociology of the Universe, with Peter Dickens. In 2016 we edited the Palgrave International Handbook of Society, Culture and Outer Space. I have recently completed a chapter on outer space for the Cambridge Handbook of Environmental Sociology.

My work on social movements draws on psychoanalytic theory, and argues for the centrality of fantasy to activism, culminating in my 2014 book, Fantasy and Social Movements. I have published illustrative case studies of the pro-space movement, the outer space protection movement and the Voluntary Human Extinction Movement.

I have also recently edited a book, Changing our Environment, Changing Ourselves: Nature, Labour, Knowledge and Alienation, which examines themes emerging from the environmental sociology of Peter Dickens. I am currently working with my colleague Matthew Adams on human-animal relations, and more specifically urban shepherding programmes.

My research interests broadly concern issues of inclusivity in the history of art, art museums and art collections, as well as a subject specialization in nineteenth century visual culture with a focus on portraiture. My primary concerns are how gender and related social formations (sexuality, the nation, the modern) organize the production and circulation of visual images. I have applied feminist methods to research on the 19th, 20th and 21st centuries including through a number of collaborations with artists, curators and cultural organizations.

Judy Rabinowitz Price lives and works in London. Her art practice is research-based and includes photography, moving image and sound, composed as single-screen works and multiscreen installations.

A focus of her work is how art can produce different ways of thinking about contested landscapes and sites of geopolitical struggle, to make visible the different layers of representation, economy, history and subjectivity. Informed by the dialogue between art and ethnography her practice necessarily involves extensive field research often drawing on images and sounds from archival sources as well as the sustained study of a place or space. She often involves works collaboratively where the role of the artist as activist and ethnographer comes under scrutiny. Palestine has been an enduring focus of her work over the last 10 years.

In her long-form film and installation Quarries of Wondering Stone (2014-2017), Judy explored the quarries in the Occupied Palestine Territories as a both a physical, metaphorical and subjective space focusing on a culture's edges, endings, displacements and disappearances. The quarries are drawn on not just as industrial spaces where labour and excavation of stone take place, but also as the disruptive spaces of colonialism and globalization. In her film, White Oil Price elucidates our understanding and experience of the quarries and the spatial dynamics of the West Bank by weaving together complex layers of history, time and space through spoken texts, images and sound. This is performed through the owners, workers and security guard and the various complexities of interweaved communities. In this way, loss and absence come to bear with regard to personal histories and experiences as well as the changing landscape and conditions of the quarries. In this work relationships and community become as much part of Price’s métier as the image.

Her current research Architecture of the Bush explores the overwritten histories and redrawn boundaries of the Kruger National Park (KNP) in the Limpopo province, South Africa and Limpopo National Park which extends into Mozambique. Established under the 1926 National Parks Act, the KNP stretches for over 220 miles alongside South Africa's eastern perimeter and Mozambique and is a deeply contested landscape. Engaging with the spatial politics of the regions her research explores the complex political ecologies and entanglements of the KNP through the militarization of the area and its borders with Mozambique during the apartheid regime and today in post-apartheid South Africa. The research seeks to address the social and spatial inequalities within the Limpopo Province and bordering Mozambique and to what extent different social groups and peoples are defining the political ecology of the space and ancestral rights granted to displaced peoples from the KNP, as well as the ecology of human and non-human relations. The research traverses a number of disciplines bringing together artists, filmmakers, critical theorists, geographers, sociologists and lawyers.

Concurrently Judy is also working on new film and artwork that engages with the former site of the of Holloway Women's Prison in London that was decommissioned in 2016. Her research is embedded in the architecture of the prison (archival research, architectural, objects, sculptures, interiors and exteriors) and engages with the lived experiences of people and the history of the immediate vicinity of the area, including Penderyn Way that backs onto the existing site of Holloway, and where she has lived since 2006. The End of a Sentence draws on individual and collective stories of prison to make visible issues around gender, class, race and economy as well as reflecting on Holloway’s legacy spatially and ideologically as a site of remembrance and absence.

Judy studied Critical Fine Art Practice (BA), Central Saint Martins College of Art & Design London, Photography, Royal College of Art (MA), London and Media Arts Philosophy & Practice at Greenwich University, London as Associate Post-Grad Researcher. From 2008-9 she was Cocheme Fellow at the University of the Arts, London and associate artist from 2009-2010.  In 2014 she was awarded a PhD from the University of Creative Arts for her film White Oil and thesis, ‘White Oil and the Disappearance of the West Bank’ that focuses on the quarries in the Occupied Palestinian Territories.

She is currently a senior lecturer in Moving Image (BA), University of Brighton and course leader Photography (MA), Kingston University. From 2008–2014 she was a visiting lecturer at the International Academy of Art, Palestine and initiated a series of student exchange programs between Palestine and UK institutions. In 2013 she was a guest professor at Akademie der Bildenden Künste Nürnberg and associate Professor at Bergen National Academy of the Arts, Bergen, Norway from 2007-2008. Judy was a mentor for artists working with digital media on the Electric Green House residency, B3 Media, London and lead artist for a number of digital photography educational projects in London, including Southwark Somali Refugee Council, Deesha Community, Toynbee Hall and Shacklewell Primary School, London, commissioned by HS Projects and Insight Community Arts Programme (ICAP).

Solo exhibitions include Mosaic Rooms, London, Danielle Arnaud Gallery, London, Wingsford Arts, Suffolk, Stiftelsen 3,14 and USF Centre, Bergen, Norway. Group exhibitions and screenings include: Qattan foundation, Ramallah, Palestinian Film Week, Cinema Akil, Dubai, Delfina Foundation, Imperial War Museum, Barbican, Curzon Cinema Soho, Curzon Cinema Goldsmiths, ICA, Whitechapel Gallery, City Hall, Purcell Rooms at Queen Elizabeth Hall, London, Tatton Biennale, Manchester, Cambridge Film festival and Tent Gallery, Edinburgh, Galerie Leonard & Bina Ellen Art Gallery, Montreal, Kunshaus Cinema, Nürnberg, Ken Saro-Wiwa Foundation, Port Harcourt, Nigeria, Khalil Sakakini Cultural Centre, Birzeit University Museum, Riwaq, Centre for Architectural Conservation Ramallah, Campus in Camps, Dheisheh Refugee Camp and Dar Annadwa Cultural Centre, Bethlehem and Al- Ma’mal Foundation for Contemporary Art, Jerusalem amongst others.

Judy is available to supervise students for MRes and PhD research.

Louise Purbrick’s current research examines how the past remains present in its material forms. She has a longstanding interest in the Long Kesh/Maze prison site, the now empty ‘icon’ of ‘The Troubles’ located ten miles south of Belfast, and has spent many years documenting the transformations of its cell units, the H Blocks. Her recent work as part of the Traces of Nitrate project, an interpretation of the abandoned architecture of mining in Atacama Desert in northern Chile and the legacies of the nitrate trade in Britain, is in publication.

Louise completed her D.Phil in Art History at the University of Sussex in 1993 and has since published much of her study of the industrial and material culture of the Great Exhibition of 1851 in articles and edited collections. Her exploration of the power of objects began with the fascination for the Crystal Palace but has since extended to museum practices and the material culture of everyday life. In The Wedding Present (2007, 2014), a contemporary analysis of the gift, she detailed the acts of preservation that constitute domestic domains and argued that consumption was not an adequate framework through which to view everyday life. Broadly, then, Louise is concerned with the entanglements between people and things, with human and material relationships.

Alongside research and writing, Louise works as a curator and maker. She is a member of the Re-making Picasso’s Guernica Collective and has worked with Healing Through Remembering on exhibition projects. In 2010, Brighton Museum and Art Galleries accessioned the collection from which she curated Rattling the Cage (2009), a community archive of documents, textiles, photography and film used in a campaign to free a Guantánamo detainee. Most recently, she worked with the Community University Partnership Programme (CUPP) on Art, Refuge and Resistance, an exhibition of documents and designs about the current conditions of refugees.

Rajapillai’s research interest is the area of cross-cultural collaboration/communication and migration and identity. She is interested in investigating the role of culture in the uptake and use of online communication technology for cross-cultural collaboration/communication. Her research interest includes Web 2 technology for learning and teaching.

She is also interested issues surrounding identity construction of migrants. 

Xavier Ribas' work explores notions of practice and experience of space, the relationship between centre and periphery, the built and the unbuilt environment, and the contemporary fragmentation of landscape. In a wider context his research considers the relationship of man and territory, engaging with the notion of the production of space (ref: Lefebvre), the practice of space and the everyday (ref: de Certeau) and the notion of anthropological place (Ref: Augé). 

Ribas' documentary photographic practice embraces cross-disciplinary approaches to research. Trained as an anthropologist interested in geography (ref: Davis, Harvey), microhistory and the philosophy of history (ref: Bloch, Benjamin), his work is also informed by former professional experience in the fields of urban planning and architecture. His large photographic grids, often including text, archive materials and moving image, investigate histories and geographies of abandonment, contested sites and objects, temporary settlements, spaces of urban corporate development and exclusion, border territories, and geographies of extraction.

Xavier Ribas, along with Louise Purbrick, is Principal Investigator of the AHRC funded research project Traces of Nitrate: Mining History and Photography Between Britain and Chile, developed at the University of Brighton in collaboration with Chilean photographer Ignacio Acosta, who completed a PhD in 2016 as part of the project. The research investigates the histories and legacies of British investment in Chilean nitrate and copper mines and involvement in global trafficking. Through an examination of sites, artifacts and images, the project traces nitrate and copper’s route from natural mineral state processed in the Atacama Desert and the Andean mountain range through transported commodities and stock market exchange value to become, ultimately, part of the material and symbolic inheritance of London mansions and estates in the capital’s surrounding countryside. It undertakes new photographic documentation of geographically disparate but historically connected landscapes, remote sites of extraction and metropolitan financial districts, accompanied by an analysis of these commodities' material and visual culture.

Traces of Nitrate has received three AHRC awards:

2012-16 https://gtr.ukri.org/projects?ref=AH%2FI021671%2F1

2017-18 https://gtr.ukri.org/projects?ref=AH%2FR001391%2F1 

2021-24 https://gtr.ukri.org/projects?ref=AH%2FV00915X%2F1

Traces of Nitrate has also attracted external funding from partners in Spain, UK and Chile. A comprehensive website of the research and public outcomes to date exists here: www.tracesofnitrate.org

Xavier Ribas studied BA Social Anthropology at the University of Barcelona, Spain (1990) and Documentary Photography at the Newport School of Art and Design (1993). He has been involved in many international exhibitions including the Museu d’Art Contemporani de Barcelona, Museo Nacional Centro de Arte Reina Sofía, Stedelijk Museum, Whitechapel Gallery, Bluecoat Liverpool, Le Bal, Aperture Gallery, George Eastman House, Lewis Glucksman Gallery, Centro Huarte de Arte Contemporáneo and the Centro de Arte Dos de Mayo.

His work is represented in major public and private collections including the Museu d’Art Contemporani de Barcelona, Stedelijk Museum, Fonds Nacional d'Art Contemporain, Museo Universidad de Navarra, Fotocollectie Universiteit Leiden, Fondazione MAST, Centro Gallego de Arte Contemporáneo, and Centro Andaluz de Arte Contemporáneo.

He has received awards, commissions and fellowships from the Arts and Humanities Research Council (2012-16, 2017-18, 2021-24), the International Photography Research Network (2006), Commande Publique du Ministère de la Culture et de la Communication/Centre National des Arts Plastiques (2006), and Université de Toulouse II-Le Mirail (2007-2008), among others.

Ribas has also collaborated on research, exhibition and publication projects with the Universidad de Salamanca (1998, 2000, 2009), Universitat Politècnica de València (2008), Université de Toulouse II-Le Mirail (2007-2008), Universiteit Leiden (2006), UNIACC Santiago (2010), and Universidad de Navarra (2009, 2014-2015).

My research interests are focused on XR, screen-based or mobile, storytelling designed to tell stories about the imagined, forgotten, or unremembered others.  The focus of this work is centred on the spatial memory of the city’s built environment as an intersectional backdrop to examine its contemporary and/or archival data.  

I have a transdisciplinary practice which investigates and combines areas of British colonial history, archival data, computer science, digital geographies, and digital humanities as it related to the spatial memory of the built environment.

Methodologies I use in my practice intersect across practical and theoretical frames such as computer vision, human to computer interaction, human to human looking and by extension machines that see.

My practices uses highly experimental media which consisting of the following combinations;

• Photography

• Moving Image

• Creative coding

• Augmented reality

• Virtual reality 

• Data

• Conversational chatbots

Through either screen-based, mobile or physical computing.

My research interests relate to applied microeconomics, particularly issues of labour economics, education, migration, subjective well-being,  and development.

Over the past years I have been particularly interested in wage inequality, and the role of education, compositional changes of the labour force and migration. I have investigated such issues for the UK, U.S. and Italy. Morever, my research on immigration has been based on Spanish administrative data.

As an expert of migration, I have been contributing to the Migration Observatory at the Univesity of Oxford since 2010. 

In more recent years, I have conducted research to assess the determinants of successfull school-to-work transition of young men and women in Africa. 

My research has also paid attention to subjective well being, specifically for job satisfaction and mental health. I have recently worked on a paper analysing the effect of repeated lockdowns of Covid-19 on mental health of people in the UK. 

I am currently developing a research project to assess the role of exposure to crime/conflict for school-to-work transitions of young women (and men) in developing countries. 

My research continues and develops the focus on architectural and urban mobilities, developing new connections between mobilities and urban infrastructures such as elevated highways (Robertson 2007, 2011, 2014, 2016), more recent publications on the relationship between, and drawn representations of urban design and mobilities in street spaces in Brighton (Robertson 2016, Murray and Robertson 2016, 2017) and ongoing work on illumination and re-construction of territorial edges through photography (2019). 

I’m an economic sociologist excited by the impact of technology on society, education and business. My joint research project into the Fully Functioning University was awarded Researchers of the Year 2017 by Professor Mark Cowling, Brighton Business School Head of research. The findings have been published by Emerald as part of their Great Debates in Higher Education series.

I research the history and role of higher education, graduate employability and how graduates might best be served by university. I am interested by the role social media, big data and internet technologies in how society works and how business is conducted.

My background is in European politics and political sociology. I lived in Belgium, Germany and France before studying at Kent (BA) and Manchester (MSc, PhD). My book on European social movements (Against Old Europe, 2014) examined critical theory approaches to globalisation, including work by Touraine, Habermas, Negri, Holloway and Postone.

I have published widely on protest, policing and criminalisation, including on no borders activism, on the climate camps, the German far right and the covert surveillance of social movements.  My work is published in leading academic journals such as Citizenship Studies, Critical Social Policy, Environmental Politics and the European Journal of Social Theory.

My main interest at the moment is the public inquiry into undercover policing in England and Wales. This should lead to a new book on the contest between disclosure and secrecy in public inquiry, contracted with Policy Press.

Another statutory inquiry that I have been interested in is the Brook House Inquiry into the mistreatment of immigration detainees. A first analysis from this study is published in Criminology & Criminal Justice.

Scholarly biography

Dr Kirsty Smallbone is Head of School of the Environment and Technology.  Her day to day work concentrates on the leadership and management of the School, and in contributing to the wider leadership of the University.  Kirsty is a member of the IT Strategic Governance group and the TEF development group, and recently led the school to a Bronze Athena SWAN award. She has over 20 years of research experience with interests in the spatial and temporal distribution of tropospheric air pollution, strategies for its mitigation and, more recently, the perception of air quality and the environment.

Dr Smallbone has attracted funds of over £1.5 million for her research, including grants from Local Government, the Department of Environment, Food and Rural Affairs and the European Union.  She has successfully supervised two Doctorate (PhD) research degrees and one MPhil research degree.  She has also developed an enterprise stream of funding, and has been awarded £25,000 for a University innovation project to develop low cost but accurate particulate matter sensors.

Dr Smallbone has authored over 12 peer-reviewed publications and more than 14 conference papers. She has presented her work to academics, practitioners, health professionals, politicians, school children and the general public. She has been invited to give keynote lectures throughout the UK and Europe.  Dr Smallbone passionately believes that research should be accessible and therefore has also written an education ‘pack’ for key stage 2 school children aimed at increasing awareness of the issues surrounding air pollution. She has also developed a toolkit for those with chronic respiratory illnesses and the elderly, widely used in the UK and in Europe.

Approach to teaching

I am passionate about education and life long learning.  I believe in allowing students to develop their skills by the practical application of knowledge.  I also encourage students to read extensively and take a critical approach to peer-reviewed and grey literature.  For example, in my Environmental Management module I ensure that students have the opportunity to undertake an environmental audit. In my Air Quality Management module, students get to design a mini research project to look, as a class, into an aspect of air pollution that they have identified as important and interesting. This then forms the basis of their assessment task.  Being able to assess your own progress in learning is something I see as crucial in encouraging students to grow in confidence in their own abilities. I’m also keen on data analysis and enjoy teaching students to enjoy, or at least understand, the how and the why of multivariate statistical analysis (regression being my favourite).

Research interests

Crossing the divide between the natural and the social sciences, my main research interests focus on the impact of tropospheric air pollution:

1. Air quality science

Air pollution is responsible for an estimated 310,000 premature deaths per year in Europe alone (WHO 2015), with associated societal, economic and environmental costs. My research uses cutting edge monitoring equipment to explore what is in the air that we breathe, and thus what we can do to reduce air pollution and improve health.  In particular, my research examines the reactive trace species of atmospheric pollutants, including 'ultrafine particles' (UFP), for which there is emerging evidence regarding their hazardous nature to human health.

2. Perceptions of Air Quality

In order to reduce local air pollution, it is important to understand how people perceive air pollution, and how to disentangle it in people’s minds from climate change.  Air pollution disproportionately affects the elderly, the young and those with pre-existing cardio-respiratory conditions.  My research examines the most effective ways to communicate information on air pollution, how this information is perceived, and what makes people listen.

Her research interests broadly encompass 'public control over the wider determinants of health'. This includes 'access to information' and UK public health policy implemented in settings such as workplaces and local government.

Her interests are influenced by World Health Organization strategy, e.g. the Ottawa Charter (1986) and the Helsinki Statement (2014: 2-3,9). The latter document calls for safeguards to protect policies from distortion by commercial and vested interests; transparent policy making and access to information; participation of wider society in the development and implementation of government policy; and environmental sustainability. 

She is currently researching public views on the NHS and public health leadership.

My research is centred very broadly around the psychological side of migration.

Using a variety of methodologies, the majority of my research focuses on ways to improve relationships between people of different backgrounds, and on improving health and well-being of ethnic and religious minority groups, particularly refugees. I like to explore these topics from a multidisciplinary and policy-focused perspective, for example by investigating how refugee resettlement policies can optimise integration and well-being of refugees. I also explore the link between the use of digital technologies and well-being among refugees. I have conducted research with a variety of majority and minority groups in the UK, the Netherlands, Canada, and Chile.

My reseach interests are in contemporary literature and culture, most specifically in Black British and post-communist/'Eastern European' writing.

My 2019 monograph - the first book about the representations of 'Eastern European' migrants in contemporary British literature and culture - provides a comprehensive study of this 'wave' of migration to the UK and Western Europe following the enlargement of the EU in the 21st century, the social and political changes after the fall of communism, and the Brexit vote. It explores the recurring figures of 'Eastern Europeans' as a new reservoir of cheap labour in multiple contemporary cultural texts:

https://www.palgrave.com/gp/book/9781137537911#aboutBook

Recent publications include 'Eastern Europeans and BrexLit' (JPW Special Issue Writing Brexit: Colonial Remains), 'Redressing Racist Legacies in the Melancholic Nation: Anger and Silences in Andrea Levy’s Fruit of the Lemon' (Special In Memoriam Issue of Ariel: A Review of International English Literature, ed. by Henghameh Saroukhani, Sarah Lawson-Welsh and Michael Perfect) and (with Jo Hall and Vy Rajapillai), ‘Students as partners in decolonising the curriculum: lessons learnt at the University of Brighton, UK’ (Journal of Educational Innovation, Partnership and Change, 2021). I am currently working on a series of invited contributions and on my next monograph on contemporary Black British women's writing.

I have built long-lasting partnerships with local organisations, most notably with New Writing South, Marlborough Productions and The Centre for the Study of Sexual Dissidence (Sussex University) through our work on the The Coast is Queer, Brighton and Hove's LGBTQ+ literature festival (https://coastisqueer.com/). With Bea Hitchman and Vy Rajapillai, we've recently established a new partnership with Afrori Books, Brighton's first black-owned bookstore, specialising in books by black authors.

Recent events/projects/conferences:

An interview with Monique Roffey for the Big Read Event: https://blogs.brighton.ac.uk/bigread/2021/03/31/2021-monique-roffey/

Queer Writers from the Post-Yugoslav region, The Coast is Queer Festival, https://www.youtube.com/watch?v=gilVnrAl-pU&t=79s

Within the Four Walls: Queer Lockdown Stories Project, 1-4:https://www.youtube.com/watch?v=JwaC7xY_pro&t=77s (with Juno Roche, Nehaal Bajwa, Mikey Birtwistle and Zia X)

https://www.youtube.com/watch?v=BqfyzLnKDq4&t=59s (with Annie Whilby – AFLO. the poet, Nat Raha, Razan Ghazzawi and Savannah Sevenzo)https://www.youtube.com/watch?v=mIcC59HnC7E&t=116s (with Tanaka Mhishi, Daniel Spelman, Jane Traies and Subira Wahogo)

https://www.youtube.com/watch?v=R8V0E0RXD9s&t=4s

(with: Sea Sharp, John McCullough, Ray Filar and Roxana Xamán).

Common Threads: Black and Asian British Women's Writing Conference 2022 (co-organised with Prof Suzanne Scafe, Dr Kadija George and Dr Sarah Lawson-Welsh) https://blogs.brighton.ac.uk/decolonisingatfalmer/common-threads-black-and-asian-british-womens-writing-international-conference/

Black British Women's Writing conference, 2014

Bernardine Evaristo keynote: https://www.youtube.com/watch?v=fBP2688NvCg

Valerie Mason-John: https://www.youtube.com/watch?v=3ZYzQOJSbXk

Dorothea Smartt: https://www.youtube.com/watch?v=fZDN5f4u8x4

Andre Viljoen is a leading figure researching the architectural and urban design consequences of sustainable urban food systems.

An architect, researcher and teacher in sustainability and urban design, Andre's work engages locally and internationally with artists, designers, architects, policy and communities.

Much of his research is undertaken collaboratively with colleague Katrin Bohn, and is cross disciplinary, bridging the arts, design and planning. He has also led pedagogic research into teaching and learning in design.

He and Bohn have contributed to, and set up, international conferences, exhibitions and workshops presenting architectural design research. Following the 2005 publication of their book "Continuous Productive Urban Landscapes: designing urban agriculture for sustainable cities", the number of invitations by academic, and civic organisations has expanded to include research and dissemination activities in public and professional audiences in Belgium, Canada, Cuba, Denmark, France, Germany, Italy, Ireland, Japan the Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, the UK and the US. Additionally, invited articles about the concept have been published widely, including in China, Korea and Russia.

Between 2013 and 2016 Andre was elected Chair of the Association of European Schools of Planning (AESOP) Special Interest Group: Sustainable Food Planning, and he continues as a member of the group’s advisory board.

As part of Tokyo’s hosting of the 2020 Olympics, he was invited as one of four international experts to advise a team from Tokyo University and the Mayor’s office for the City of Nerima in Tokyo, on plans for the 2019 World Urban Agriculture Summit.

Viljoen and Bohn’s research has been recognised externally by the architectural profession, agencies and activists.

In 2015, the book Second Nature Urban Agriculture, edited by Andre Viljoen and Katrin Bohn won the Royal Institute of British Architects (RIBA) international 2015 President's Award for outstanding university located research. This follows a 2007 shortlisting for the same award for their earlier book, Continuous Productive Urban Landscapes (CPULs).

The United Nations University Institute for Advanced Studies, 2010 Policy Report, Cities, Biodiversity and Governance: Perspectives and Challenges of the Implementation of the Convention on Biological Diversity at the City Level, referrers to the Continuous Productive Urban Landscapes concept as “a powerful urban design instrument for achieving local sustainability while reducing cities’ ecological footprints” (Pp 31-32).

Referring to the book “Continuous Productive Urban Landscapes” 2005, Rob Hopkins founder of the Transition Towns movement wrote, “Andre Viljoen has put together a book of the most profound importance at this point in history. How will we feed our cities beyond the age of cheap oil?” (26 Apr 2006 on “Transition Culture”).

And from the 21st October 2014, also by Rob Hopkins, on “Transition network”.

“Second Nature Urban Agriculture is pretty extraordinary.  If we are to create built environments which are ‘locked in’ to the radically low carbon future we need to be creating, we really can’t afford to build any new developments that don’t include urban agriculture.  It needs to be everywhere, and clearly at the moment that isn’t happening fast enough.  Viljoen and Bohn tackle this from a range of angles, and there is something here to inspire those anywhere along a spectrum from, at one end, wondering how to grow food where they live in a city, to, at the other, planners and designers wanting to undertake ambitious scale projects.  Hard to recommend it highly enough.”

• Social inequality and mental distress
• Critical community psychology
• Informal therapeutic spaces and settings
• Statactivism and academic activism
• Multi-stakeholder capacity building action-research in communities
• Care and young people with complex needs

I am a social psychologist. This means I am fascinated by people and their behaviour – particularly the ethical choices they make in life and how these connect with their personal values. While this interest is mostly explored in the context of tourism, for example, understanding responsible tourist behaviour I believe it is also important to challenge business to make ethical and responsible decisions.  This latter research tends to focus on the cruise industry, where I look into the impact of cruise tourism on destinations, and the environment, the industry’s human resource policies, and its strategic priorities. Underpinning my research is a strong sense of personal agency, and I especially enjoy working on projects that enable me to advocate for people, animals, and organisations that seek outcomes in support of social justice.

My research encompasses avian ecology and conservation, focusing on human-bird interactions, urban ecology, citizen science, and extinction risk. I'm passionate about sharing my sense of wonder and excitement about the natural world, including finding effective ways to (re)connect people (particularly children and teenagers) with nature. I am a strong proponent of the conservation optimism movement, evidence-based conservation, and research transparency.

My research focuses on community voices in town planning in New Towns Harlow and Hatfield. I am exploring the main players in the planning system in both towns, and the social, historical, political, economic or physical background to the towns which results in certain voices being more prominent than others in local planning matters. 

I studied Philosophy long ago. I was once a humanitarian practitioner in contexts of forced displacement due to armed conflict. I am now a PhD researcher at the School of Humanities and Social Science at the University of Brighton.

My research is situated at the intersections of Environmental Peacebuilding, Feminist Security Studies, Environmental Security Studies and Feminist Peace research. My main focus of attention is the gender-environmental change-peace and security nexus. I am particularly interested in the gendered discourses of climate change and peace; the emerging feminists contributions to a sustainable peace; the (lack of) overlapping between the climate change regime and the Women, Peace and Security agenda; and studies on ecocide and the rights of nature. I use feminist epistemologies and a feminist narrative approach as methodologies to better understand the everyday lived experiences of Women Environmental Human Rights Defenders (WEHRD) and artists resisting various forms of intersecting gendered violence, including militarism, climate change, extractivism and forced (im)mobilities.

I am also a member of the Women International League for Peace and Freedom (WILPF) UK, WILPF Spain, the Environmental Peacebuilding Association (EnPax), The Gender and Development Network (GADN) and the Peace Research Seminar (SIP).

I am a doctoral researcher funded by the Doctoral Training Alliance (DTA) Future Societies. My PhD project explores the relationship between climate-related water insecurities and im/mobility in Newham, London. By living in Newham and volunteering with various water-based community initiatives (including river restoration and rowing), I hope to shed light on how issues including street flooding, sewer surcharge/contamination and climate gentrification impact the mobilities of local residents.

With a special focus on justice, I hope to explore how the climate-mobility nexus unfolds unevenly across urban land- and waterscapes; how politics and infrastructures past and present play a role throughout; and which solutions communities see fit to mobilise themselves (and protect their right to stay put) in the face of evolving climatic changes.

My initial research plan was on everyday life’s care of oil palm smallholders/family farms in Kalimantan, Indonesia when I started my PhD in 2019. When COVID made the ethnographic work impossible, I shifted to “Gendered Analysis of Family farm’s Care in Indonesian Oil Palm Sustainable Policy Discourse”. 

My research is informed by Feminist Political Ecology (FPE) and critical development studies. I recently started exploring the travelling theory from post-colonial thinker to make sense of my understanding of care as I travel from different spaces (Global North-South) and across my life stage.

Before joining the School of Environment and Technology at the University of Brighton as WEGO ITN early-stage researcher at the end of March 2019, I supported research and community programs with international, regional and national research institutes and NGOs. I contributed to research on a wide range of issues on land rights, rural development and gender equality. The last research I supported was governing oil palm for sustainable and gender-inclusive landscapes with the Center of International Forestry Research (CIFOR). 

WEGO-ITN: This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 764908.

Sean Heath is Social Anthropologist specializing in the body, movement, the senses, and human-water interactions. He has conducted research with competitive swimmers in Canada and the UK which examined the sensory aspects of immersion in water and the sociality of club swimming and how these affect youths’ wellbeing. He has also examined the emplaced entanglements between the material, social, and emotional experiences of outdoor swimming in “natural” environments.  

My PhD research is funded by the ESRC's South Coast Doctoral Training Partnership. The research will investigate the relationship between the consumption of gig-economy goods and services and the social pathology of alienation. The aim is to undertake a comparative study of the UK and Iceland, conducting interviews and focus groups, to illuminate how consumption and alienation within the gig-economy environment is experienced in different societal contexts. 

My PhD project, Inventing Kinship: a participatory art exploration of kinship with queer migrants in Brighton is an interdisciplinary project distributed between human geography, queer kinship and the arts, exploring practices and expressions of queer kinship among queer migrants through participatory creative methods.

Francesca Kilpatrick is a Doctoral Researcher in climate communications, looking at how security and insecurity is conceptualised within the UK climate movement. Her PhD is funded by the ESRC South Coast Doctoral Training Partnership. She is Senior Editor of Interfere Journal for Critical Theory and Radical Politics, which is produced by the UoB postgraduate community. She is the PGR Representative for the Centre for Spatial, Cultural and Environmental Politics and is part of the Centre for Applied Politics, Philosophy and Economics. She teaches undergraduate qualitative and quantitative research methods at UoB, and on the MSc in Sustainable Resources at UCL.

Francesca's academic background is in Socio-Cultural Anthropology, moving to International Relations and Social Research Methods at post-graduate level, and now working in interdisciplinary research covering fields including Comparative Politics, Social Movement Studies, Security Studies and Policy Studies. Her specific academic interests include environmental politics, climate communications, climate policy, environmental and climate campaigning, climate justice and climate security

My current PhD research is focused on social aspects of rewilding. I am interest in the relationship between humans and nature, in particular, our separation and alienation from it. Rewilding I believe to be a product of this alienation, a desire to repair this dysfunction in society. However, unless we are critical of the problems that caused this breakdown (such as capitalism, private land ownership, colonialism) we may simply be reproducing the same problems.

My research is in the state of flow and transcendence in the experience of screendance. This is a PaR research and my body of work will be mainly in film and visual arts, featuring movement and dance, and predominantly concerned with the felt creative experience, its transference and interconnection between artist as filmmaker and performer and the implications for the viewer.

My research interests include HIV and Gender, Female Genital Mutilation (FGM), Gender-Based Violence (GBV), Migration as well as Mental Health in the United Kingdom and in Zimbabwe. My ongoing PhD study is on FGM, Gender and Social Work- Working Title: "Female Genital Mutilation (FGM/C) in the SE UK: A Narrative Analysis of Professionals’ and of Affectees’ Engagement with Social Work Practice".

I am a first year PhD researcher exploring green social prescribing and social justice. My research is looking at access to nature, and how the histories of British colonialism and enclosures underpin modern relationships with nature.

The idea of a 'nature cure' is explored critically and the locus of health moved beyond the individual, instead found in the ongoing and spontaneous relationality between people and nature. What this means for future nature based health interventions will be explored through qualitative research. 

My research is funded by the ESRC South Coast Doctoral Training Partnership. 

My current research is practice-led, working towards the development of a collection of poetic writing that contributes to the current cultural and artistic movement challenging speciesist and anthropocentric ideologies as part of a wider response to the current climate crisis.

My theoretical interests are in how poetry and experimental forms of writing can help to challenge patriarchal and anthropocentric hegemony, in particular how these ideologies relate to the language of oppositional binarism. This is largely informed by deconstruction and psychoanalytic feminism, specifically the work of Helene Cixous, and by ecofeminist understandings of the human/nature binary, and how these categories might intersect with other binarisms, both within and outside of the academy. As part of this, I am exploring the political and intellectual significance of hybrid forms of writing, particularly those that can be defined as both critical and creative. 

Alice is researching the knowlege politics of fracking and uncoventional fossil fuel extraction in the UK, critically examining whose knowledge comes to matter in this unfolding conflict over the environment and over contemporary democracy. Adopting approaches from Feminist Political Ecology, Science and Technology Studies and Environmental Justice, Alice is researching with the communities who have been mobilising diverse expertise and tactics to contest the arrival of the industry. 

WEGO-ITN: This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 764908

My research interests predominantly come under the umbrella of urban injustice. I am currently focusing on gentrification and displacement, but have previously undertaken research into homelessness and the community/voluntary sector. Within gentrification, I am interested in the full spectrum of im/mobilities encompassed by gentrification-induced-displacement, bringing a mobilities lens to understand the processes of un-homing and loss of a sense of place. I am interested in finding out the specific ways gentrification is manifesting and experienced at the urban seaside, looking at the relationship between tourism and gentrification. Furthermore, I am interested in theories of justice, particularly social, spatial and mobility justice.

I am also interested in creative, participatory, multisensory and mobile methods. I have developed a socio-sonic-mobile methodology using listening as a method. My doctoral project explores how listening practices can elicit people’s changing relationships to place. I am working with a local community music organisation to learn and share how listening activities and sound walks can be used as a tool for both research, community engagement and wellbeing purposes. This also furthers my interest in understanding how universities can work with local communities for mutual benefit. 

I am an artist, writer and researcher based in North Herefordshire, UK. My creative interests use photography to explore the relationship between humans and the natural world through a research-based practice. Inspired the by increased popularity in the concept of plant-intelligence, particularly in a world in which climate concern and anxiety is an ever increasing norm, I use traditional and alternative modes of photography to interrogate how humans conceptualise the plant-kingdom through mythological, scientific and cultural practices. 

This is specifically explored in my part-time, practice-based PhD project titled ‘Photosymbiosis: Towards a Photographic Method of Collaboration with England's Heritage Oak Trees’, which uses traditional and alternative modes of photographic practice to examine the role of twelve heritage oak trees, through the lens of scientific research that considers the agency and intelligence of plants. By involving the oak tree within the creative process, whether through its material (its soil, bark, or leaves, for example) or biological functions, my practice seeks to (re)centre the plant as a sensual being, while also acknowlodging certain tree's status as a cultural object, imbued with emotional, social, cultural, and political value that raise certain plants to heritage status.

Alterntatively, my written work often uses queer experiences of gender and sexuality, through the use of poetry and short-form prose, to investigate human relationships, relationships to place and personal events.

My research interests focus on the potential of social media for sustainability discourse in cruise tourism. How do cruise tourists negotiate the boundaries of sustainability regarding their holiday? Which emotions are involved in these discourses? How are these emotions managed? I explore these questions in my PhD project “Cruising with a Conscience: Navigating moral identity and the ethics of sustainability in the cruise community.”

My doctoral research engages with recorded visual and spoken testimonies of Shaheen Bagh protestors, predominantly Muslim women who occupied a public highway in Delhi for 101-days between December 2019 and March 2020. Despite the protests being catalysed by the right-wing Hindu nationalist BJP party’s passing of the discriminatory Citizenship Amendment Act (2019) and the subsequent police brutality faced by students local to the Shaheen Bagh neighbourhood in South Delhi for protesting against its passing, I argue that protestor testimonies show how resistance stretched far beyond this, towards critiquing and subverting the coloniality of the nation-state of India materially and epistemically. Thus, the praxis Shaheen Bagh offers hope for thinking, being, living, and doing otherwise.

My research is funded by the AHRC Techne DTP.

The PhD project I am currently working on is researching trans and non-binary embodied experiences and the implications for urban planning theory and practice. How does contemporary English local planning practice incorporate gender into policy and practice? Can planning be inclusive of trans and non-binary residents?

I am utilising creative mapping methods to explore trans and non-binary embodiment and spatialities, alongside discourse analysis and stakeholder interviews to understand local planning practice.

My research interests are contemporary urban governance and the role of planning within this; the geographies of gender and sexuality; British planning and it's relationship to colonialism; queer and transfeminist political praxis.

My practice-based doctoral research uses design to observe, engage and intervene in contemporary UK public breastfeeding discourses. This research focuses on gender, care, food, culture and motherhood and critically examines the role of design in relation to complex issues of sustainability.

My work explores counter-conventional approaches to research and practice across design and health disciplines. I am interested in how design can create meaningful dialogue using critical thinking and designed artefacts. 

My research interests are Radical methodologies, Design Culture(s), Design Anthropology; Research Through Design; Discursive design; Design for social change; Design and sustainability; Intersectional feminist design agency; How design can positively impact health inequalities; The impact of design on everyday life, behaviours, norms, practices and belief systems. 

My recent interests are design(ing) for peace and intersecting issues of justice. 

https://twitter.com/ahrcpress/status/1212358091917971456

Together with Ben Sweeting and Tom Ainsworth I am a co-founder of the Radical Methodologies Research and Enterprise Group. Please see the blog for further information on the group.

As a PhD student with a background in geography and urban planning, Shaun Williams is undertaking research aimed at understanding how digital app data, provided by cyclists, are used to inform transportation planning and policy.

His PhD is funded by the ESRC South Coast Doctoral Training Partnership (Industrial Strategy Steer). He is also a member of the Centre for Digital Media Cultures and Centre for Spatial, Environmental and Cultural Politics at the University of Brighton. 

During MSc study at Cardiff University, UK, Williams worked as a Research Assistant on the EPSRC cycleBOOM project – a study that sought to understand cycling among the older population to help people continue cycling into older age.

With a background in comparative literature and literary theory, I trace patterns and trends in western perceptions of south-eastern Europe. I currently research representations of Montenegro, from the nineteenth century up to the present, through both global postcolonial and decolonial as well as regional balkanist discourse criticism. I take into consideration cultural, historical, political, geopolitical and economic contexts that shape western responses to south-eastern Europe. My research interests also focus on cultural memory and how transgenerational histories and narratives create ethnic, national and cultural identities of individuals.

• Ana Živković, “Early British Discursive Constructions of Montenegro (1840-1880)”, in Antonello Biagini and Giovanna Motta, eds, Empires and Nations from the Eighteenth to the Twentieth Century, Volume 2 (Newcastle: Cambridge Scholars Publishing, 2014), pp. 185-192.  http://www.cambridgescholars.com/empires-and-nations-from-the-eighteenth-to-the-twentieth-century-2