I trained as an architect and practice as an artist, with an interdisciplinary, research-based practice.
My recent practice and research has explored material poetics, memory, heritage and regeneration. In my PhD, 'Détour and Retour: Practices and poetics of salt as narratives of relation and re-generation in Brixton', I developed ideas that linked material cultures of salt through a series of journeys to a 'poetics of re-generation', expanding the language of regeneration and spatialising relational practice to emphasise an ethics of regeneration practices. I'm interested in the material cultures of migration and trade and in the relevance and significance of everyday practices, rituals and engagement with material culture to how places are made and continue to be remade and maintained. My book, Salted Earth: poetics of place and migration through four artistic journeys, will be published by Intellect in May 2026. See https://www.intellectbooks.com/salted-earth
My research and practice engages with place, and the public realm. I'm interested in how artistic interventions and critical spatial practices that highlight and reveal poetics of place could contribute to more ethical and effective models of regeneration and heritage practices (including a more ethical engagement with memory traces and their relation to the new).
I’m a board member of ixia (public art sector support) and am engaged in current research and policy around public art in the UK.
I originally trained in participatory research methods and tools and I bring an in depth knowledge and experience of participation and socially engaged practice to my teaching, research and practice, across architecture, art and design.
Current and recent research projects and networks:
Acts of Transfer – research project with Dr Lizzie Lloyd, UWE.
A practice-based research project, into the documentation and legacies of socially engaged practice and critical writing about the practice. The project was originally funded by Arts Council England, and the Centre for Spatial, Environmental and Cultural Politics at UoB, and outcomes included 2 symposia at UoB, talks at Arnolfini and workshops at Towner Eastbourne and Fontys University. A book, Acts of Transfer, published by Social Art Publications is available. An exposition on Research Catalogue published by RUUKKU jorunal showcases the films and text outputs: https://ruukku.journal.fi/issue/view/13176
In 2026 we have been awarded Impact Accerlearation Account funding (AHRC) for a next phase of work in partnerhsip with Brighton based arts organisation Quiet Down There.
Origination - project with Rebecca Beinart
An ongoing artistic research and practice project in collaboration with my sister, artist Rebecca Beinart, which we have been working on since 2008. Beginning as an investigation into our family history and migrations, growing into a wider project about the materiality, memory, and rituals of migration and diaspora, we have used performance, sculpture, film and other media to explore lost and invisible heritages. Outputs in 2024 included a residency at Fabrica and we have a forthcoming book chapter in the edited book Nomadic Performance Making: Experiences, Environments and Empathy out in 2027. Our current phase of work engages with our Grandmother Margaret Stanton's archive at the Modern Records Centre, Coventry which contains papers related to her activism over 70 years in social justice, antiracist and anticolonial campaigns.
A Difficult Place: Cost of Living collaborative film project
This Ignite 3.1 (AHRC impact funding) funded project has worked with people living in the East Brighton area to create a film documenting experiences of the current cost of living crisis. In partnership with Phoenix Food Shop, an affordable food project based in the Phoenix Community Centre, we identified people who are currently using their resources and then worked with these individuals to tell their stories, supported by myself and filmmaker (John Edwards). The resulting film, ‘A Difficult Place’, has been screened in Brighton and at a number of conferences. This project aims to document the experiences that people are going through on a local level and to share these stories more widely so that these stories become more visible and people are not just seen as statistics.
The Salt Art Research Network is an international network of artists and curators working with, or interested in working with salt as material and theme of artistic practice. Members are currently based in the UK and Italy and have affiliations with the University of Brighton, Teesside University, Goldsmiths and University of Turin. In 2024 the Network is collaborated with NICHE, Universita Ca’ Foscari in Venice for a workshop event and furter research acitvities are planned.
The DISTERRA network is funded by the UKRI’s Arts and Humanities Research Council. It is hosted at the University of Edinburgh and led by Nichola Khan, and Zoha Waseem (University of Warwick). It crosses knowledge boundaries by bringing together transdisciplinary academics, public audiences, artists and creative practitioners to explore ‘terrains of disappearance’ in forced migration, armed conflict, and environmental crisis across Asia-Europe. Its aim is to link typically separated regional or single-issue fields of inquiry. It brings together transdisciplinary scholarship and a creative arts focus to interrogate migrant disappearances as a generalised Asia-Europe phenomenon, but one with particularity in specific emplaced environments. It expands the priority given to border-related disappearances in migration by examining wider interactions of migration with forced displaced and disappearances as forms of absence in everyday life, including in cities.