Media and communications PhD

Media and communication studies is a multi-faceted research area that examines the ways in which the media represent and influence our social, cultural and political lives. Research in media and communications critically analyses the role of media institutions, as well as the changing landscape of media industries and cultural production.

The University of Brighton’s School of Media fosters a thriving community of theorists and practitioners in the development of new knowledge around media cultures, technologies and practices. Our research examines audiences and reception, television and screen studies, digital media, gender and communication, communication and democracy, as well as media history, policy and law. We are ideally placed to offer supervisory support in this diverse and complex area, drawing on the methodologies from both the research staff at the school and related disciplines university-wide.

Research is supported through specialist centres and groups. Our researchers are involved at an organisational level in the Centre for Digital Media Cultures, the Centre for Spatial, Environmental and Cultural Politics the Centre for Transforming Sexuality and Gender; also the Cultural Informatics Research and Enterprise Group, Screen Studies Research and Enterprise Group and Photography in Practice; Photography in Theory Research and Enterprise Group.

Through these specialist centres and groups, research expertise covers a wide range of topics that engage with critical issues around media and communication. Critical investigations of media phenomena or practice-based work through digital arts and sciences, photography and film can also be aligned to cross-disciplinary work with, for example, arts practices, architecture, heritage technologies, cultural studies, human geography, politics and philosophy.

The School of Media supports PhD students to research their area of interest across a wide spectrum of media and communication research, drawing on the expertise of cutting-edge research at the School of Media.

Our PhD graduates work within and outside academia.

Apply through our portal: 'Arts and Media.'

Our registration system collects several programmes under the strand 'Arts and Media.' Please choose this option in the portal.

Apply with us for funding through the AHRC Techne Doctoral Training Partnership

Key information

As a Media and Communication PhD student, you will benefit from:

a supervisory team comprising 2-3 members of academic staff. Depending on your research specialism you may also have an additional supervisor from another School, another research institution, or an external partner from government or industry.
access to desk space and computers.
access to a range of electronic resources via the university’s online library, as well as to the physical book and journal collections housed within the Aldrich Library and other campus libraries. PhD students also have access to cutting-edge facilities such as the Watts Lab, the Digital Catapult Centre Brighton and the Screen Archive South East.

Recent and current PhD students have been successful in obtaining studentships covering both fees and living costs through the University of Brighton’s involvement in the AHRC TECHNE and the ESRC SCDTP programmes.

Research themes

Media and Communication research is the primary focus of our Centre for Digital Media Cultures and informs the work of a number of other Centres of Research and Enterprise Excellence (COREs) at the university, including the Centre for Spatial, Environmental and Cultural Politics and the Centre for Transforming Sexuality and Gender.

With the support of these centres, and the School of Media, our students benefit from a productive academic network where media and communication inform diverse investigations. Our staff and postgraduate community critically engage with some of the most exciting and pressing issues of our time - they explore the effects of changes in media technologies and practices upon everyday life, the cultural and creative economy, politics, social well-being and identity.

Our researchers work at the local, national and global level. Engaging with diverse businesses, communities and policy actors including media, publishers, digital companies, community groups and NGOs is central to our approach. In addition to more traditional media and communication approaches, we encourage innovative, interdisciplinary and transdisciplinary approaches. Our research priorities include the areas ‘Digital culture & practice’, ‘Screen, image & visual culture’ and ‘Sound & spatial practice’.

The postgraduate community comprises a diverse group of young scholars that engage in both theoretical and practice-based research. Our postgraduate students have the opportunity to be engaged in a range of activities, including involvements in research centres, organising research events, contributing the School of Media research culture and getting teaching experience.

PhD students could pursue research in a wide range of media and communication topics. Our current areas of research expertise include:

Digital Media
Data Culture
Environmental Communication
Game Studies
Community Media
Screen Cultures
Digital Transformations
Media Practice
Photography
Film Studies
Sound Studies and Music
Gender and Sexuality
Digital Humanities
Cultural Informatics
Creative Industries
Mobility and Transport
Activism
Popular Culture
Immersive Media/AR/VR
Creative Media
Innovation

For more detail about these research areas please check the following links and also the supervisors' profiles below:

Some of our supervisors

Dr Frauke Behrendt

My supervisory interests cover the broad areas of digital and data culture, mobility and transport, sustainability and environment, culture and heritage, sound and multi-sensory media. I have expertise in supervising theory and practice-based PhDs, and also interdicsiplinary work, including media and communication studies, social science, art and HCI, plus involvment of external partners/stakeholders. My methods expertise covers qualitative and mixed methods including interviews, focus groups, case studies, ethnographic approaches, hard- and software development for data capture, critical discourse analysis, sonic approaches, interventions and experiments, NVIVO. I am currently supervising six PhD students inlcuding SEAHA and SCDTP-funded projects, and have served as internal and external examiner on PhDs.

Prof Julie Doyle

Professor Doyle has supervised doctoral work on creative and visual climate change communication and engagement, media discourses of environment, gender and popular culture, branding and consumption. She would be happy to supervise work on any aspect of:

* climate and environmental communication

* media, popular culture and environment

* creative approaches to climate engagement and systems change

* climate activism and social movements

* visual climate and environmental communication

* veganism, popular culture/media and ethics

* feminist ecological ethics

Dr Aristea Fotopoulou

Dr Aristea Fotopoulou is interested in the social, political and cultural issues of digital and emerging technologies. She welcomes PhD supervision of research projects critically examining: gender, sexuality and technology; feminist STS; digital health and wellbeing; AI and society; robots and society; young people and digital technologies; mental health and technology; big data & society; everyday life; art and public health; art and science; innovative and interdisciplinary methodologies; digital inclusion; activism; participatory action research; citizen data.

Current PhD Students

Hannah Runham (ESRC South Coast DTP Scholarship in the Population Change, Health and Wellbeing pathway) (2017-2020). Theme: Mental health and Reality TV.
Jun Haelin (2018-2021). Theme: National identity, gender and use of YouTube in South Korean.
Sijuade Olanihun Yusuf (International PhD Studentship) (2019-2022). Theme: Social media and negotiation of identity by African Women in Sub-Saharan African countries
Alex Yousif (ESRC Artificial Intelligence and Society PhD Studentship, South Coast DTP) (2020-2023). Theme: Algorithmic bias, gender and health and social care

Indicative Masters and Undergraduate projects supervised:

The role of social media influencers in the promotion of sports and wellbeing
Representation of gender in Disney films
Audience perceptions of privacy and data collection on Facebook
Understandings of bisexuality in social media
Feminist activism and Twitter: #Metoo hashtag
Representation of queer characters in Call the Midwife.
Gender in reality TV: The case of Only Way is Essex

Dr Olu Jenzen

Dr Jenzen is currently supervising PhD students working on topics such as queer visual activism in South Africa; social media and LGBT mental health support; LGBTQ kinship practices and collaborative art practices; and the representation of learning disability in visual culture in the context of non-normative gender and sexuality. She welcomes students undertaking postgraduate research projects that are interested in aspects and politics of aesthetic form, issues of gender and sexuality, dissident sexualities, or situate their project within feminist and/or queer theoretical methodologies, but also projects that, in a wider sense, relate to other aspects of ‘margins’, sub cultures and popular culture.

Dr Ewan Kirkland

Ewan is looking to supervise doctoral projects on digital games, particularly Gothic and horror genres, which represent a particular research speciality. In addition, Ewan is interested in working with students exploring children’s culture, including film, television, digital games, toys, and the intersections between different media aimed at young people. Another supervisory interest is the representation of identity, including gender, race and sexuality, with an emphasis on dominant formations such as masculinity, whiteness and heterosexuality. Ewan has also keen to supervise projects on Hollywood cinema, science fiction film and television, and fandom.

Dr Theodore Koulouris

(Digital) media theory, literary theory/history (esp. Virginia Woolf, Anglophone and European modernisms, and post-1850s receptions of Hellenism); European politics and the media (especially in the UK, USA, and Greece), ethics, ontology, feminism, mourning, narrative, nationalism(s), death, loss, and memory.

Current PhD supervision

1) Haelin Jun 'Can the North Korean Woman Speak? The Politics of Online Self-representation of North Korean Women in South Korea' (women's struggle, women's voice, online self-representation, social media theory, loss, dispossession, politics, transnational feminisms) - Lead supervisor https://www.researchgate.net/profile/Haelin_Jun

2) Shai Kassirer 'Media Analysis of Hydro-Policies for Climate-Resilience in Israel: Depoliticisation of Desalination Discourse (1990-2018)' (mediation of government policy, sustainability, resilience studies, neoliberalism, depoliticisation of public discourse) https://www.brighton.ac.uk/research-and-enterprise/postgraduate-research-degrees/research-students/shai-kassirer.aspx

Dr Douglas McNaughton

Political economy of television production. Aesthetics and narrative in television. Historical development of British television. Representations of space, place and identities in British screen cultures. Science fiction, fantasy and horror, in particular, British folk horror. Telefantasy, world cinema, screen technologies, the sociology of space. Screen acting and performance.

Dr Julia Winckler

My interdisciplinary research focuses on archival traces, memory and migration narratives, co-production of knowledge and photography and activism.

For PhD applicants:

I am interested in supervising both traditional and practice-based Phds.

Phd proposals welcome that interact with any of the following:

Working with Archives and Collections: Photographic archives, Community archives, Museums, Private Collections

Memory Studies: Postmemory, transnational memory, cultural memory, communicative memory, personal memory

Art practice as research: visual, creative and ethnographic research methods/photo voice/photo elicitation/digital media technologies, site-specific interventions

Co-production of knowledge: popular education methodology, participatory methods, oral history, histoire croisée/regards croisés methodologies

Photography and activism: community art practice (global, historical & contemporary) and critical pedagogy

Photographers in Exile in Britain: contributions made by emigrés to the field of Applied Arts

For further supervisory staff including cross-disciplinary options, please visit research staff on our research website.

Making an application

You will apply to the University of Brighton through our online application portal. When you do, you will require a research proposal, references, a personal statement and a record of your education.

You will be asked whether you have discussed your research proposal and your suitability for doctoral study with a member of the University of Brighton staff. We recommend that all applications are made with the collaboration of at least one potential supervisor. Approaches to potential supervisors can be made directly through the details available online. If you are unsure, please do contact the Doctoral College for advice.

Please visit our How to apply for a PhD page for detailed information.

Fees and funding

Funding

Undertaking research study will require university fees as well as support for your research activities and plans for subsistance during full or part-time study.

Funding sources include self-funding, funding by an employer or industrial partners; there are competitive funding opportunities available in most disciplines through, for example, our own university studentships or national (UK) research councils. International students may have options from either their home-based research funding organisations or may be eligible for some UK funds.

Learn more about the funding opportunities available to you.

Tuition fees academic year 2019–20

Standard fees are listed below, but may vary depending on subject area. Some subject areas may charge bench fees/consumables; this will be decided as part of any offer made. Fees for UK/EU and international students on full-time and part-time courses are likely to incur a small inflation rise each year of a research programme.

MPhil/PhD
Full-time	Part-time
£4,327 (UK/EU)	£2,163.50 (UK/EU)
£14,832 (international)	N/A
£13,068 (international tuition fee for those students registered in the School of Humanities or in the Brighton Business School)	N/A

Professional doctorate
Full-time	Part-time
N/A	£2,672.50 (UK/EU)

PhD by Publication
Full-time	Part-time
N/A	£2163.50 (UK/EU)

Contact Brighton Doctoral College

To contact the Doctoral College at the University of Brighton we request an email in the first instance. Please visit our contact the Brighton Doctoral College page.

For supervisory contact, please see individual profile pages.