English Literature and Creative Writing BA(Hons)

Course structure

Full-time students have 10–11 hours contact time a week in lectures, seminars and workshops, but you are also expected to carry out independent study. Part-time study is possible and can be tailored to suit individual needs.

Our courses are reviewed and enhanced on an ongoing basis in order to make sure that what you learn with us is relevant and that your course enables you to develop appropriate skills. When you apply to study with us, we will inform you of any new developments in your chosen programme through Student View.

Year 1

Your first year focuses on understanding the different approaches to literary texts from both a creative and critical standpoint. You will study a wide variety of texts, including film, novels, poetry, theatre, short stories and autobiography.

Modules

• Textual Encounters: Reading, Writing, Thinking

  How do texts make meaning? How can we understand the relationships between readers, writers, and texts? This module introduces questions crucial to the study of literature and culture through examining reading, writing and thinking as dynamic and dialogic cultural practices. You'll develop the skills necessary to become an effective writer, thinker and critic, enabling you to develop informed responses to texts and ideas in dialogue with others as members of a collaborative intellectual community.

• Stories and Storytelling

  How do stories create and communicate experiences, identities and cultural meaning? How do they work to perpetuate and challenge social structures? On this module you'll study fairy tales, myth, novels, short stories and visual narratives (for example, film, comics and graphic novels, gaming) to discuss these questions. Through reading and guided research you'll identify and pursue your own interests in critical, creative and reflective ways and produce a reading and research journal.

• Literature and Theory

  This module will introduce you to the key philosophical and theoretical approaches to the reading of literary texts, and situates that knowledge within a historical overview of literary criticism. By the end of the module you will be able to apply theoretical vocabulary and knowledge of critical concepts in the interpretation of literary works.

• Poetry-Politics-Protest

  This module explores poetry from a diverse selection of writers, time periods and cultures. Learning how to analyse and interpret poetry and understand poetic forms and techniques, you'll discuss poetry as a political act, form of protest and agent of social change to discover the dynamic possibilities of poetry as a relevant means of communication and connection essential in our changing world. Students co-create this module and you'll develop your own practice through curating a poetry anthology.

• Drama in Society

  This module will introduce you to drama as both performative and literary texts. The module approaches drama through practical, textual and theoretical readings, as well as through placing drama in its social and political contexts. How do plays engage with the world we live in today? The module focuses on twentieth century dramatic texts in order to explore the role and function of drama in society. You will look at, for example, naturalist drama, Brechtian drama, theatre of the absurd, feminist theatre, postcolonial theatre, and in-yer-face theatre.

• Storying The Self

  This module will introduce you to practices of storying the self in writing and digital media. Through creating a first person story combining audio script, music and still image, you will engage with the expressive complexities of autobiographical representation. The module will also give you the creative writing tools to experiment with storying the self in a variety of written genre.

Year 2

In your second year you can tailor your degree to your interests. There are placement opportunities available in year 2 as well as field trips to theatres, museums, schools and other community projects.

You can also choose option modules from across our humanities and arts subjects.

At the end of your second year you will have the opportunity to study abroad.

Modules

• Creative Writing: Process and Craft
• British Literature and Twentieth-century History
• The Nineteenth Century in Literature
• Research and Practice

Options*

One from:

• Image and Text: The Language of Comics and Graphic Novels
• Writing for Stage, Radio and Screen
• Literature in Practice

One from:

• Studying Travel Writing
• Twentieth-century Literary Experiments
• Queer Writing
• Literature and Art History
• American Literature 1850–1945
• Media in Practice
• Introduction to Journalism
• Cinema and Society
• Television Studio Production
• Photography: From Painting with Light to Zeros and Ones
• Documentary Filmmaking: Theory and Practice
• Power and Persuasion
• Contested Stories

*Option modules are indicative and may change, depending on timetabling and staff availability.

Placements 

In your second year you can choose the Literature in Practice or Media in Practice placement modules which will allow you to gain professional experience in a relevant workplace environment. Students undertake a placement with local publishers, radio stations, social media marketing departments, PR firms, charities etc.   

In year 3 you can choose the Community Placement – Theory in Practice placement module, again aimed at building on your work with professional experience. You'll do 30 to 50 hours of voluntary work with a not-for-profit or community organisation, and the placement is assessed and contributes to your degree.

Mia Kurian, graduate

“My placement was with Metropolitan City Church Brighton as their Social Media Manager. I learnt a lot about myself and my interests and the type of career I may want to pursue. I got to try my hand at website design, something I had never done before, and it was a great opportunity for me to expand my creativity. Professionally, I gained a lot of experience that has been extremely useful in my career today. I learnt about creating brand cohesion and creating a brand image from scratch, something I’ve never done before.

"I absolutely loved it. It was an incredible learning experience as well as insightful. It allowed me to learn a lot about myself and the future I want. My placement manager was lovely and supportive and allowed me the freedom to explore my creativity.”

Final year

In your final year you will work towards your dissertation and choose from a wide range of option areas. In the second semester, you will collaborate with your peers on a conference where you will showcase your research and writing at a public event.

Modules

• Dissertation
• Final Year Conference

Options*

• Community Placement: Theory in Practice
• Russian Literature and Culture: The Golden Age and Beyond
• (Re)viewing Shakespeare
• Apocalypse, Utopia and Dystopia
• Literature and Philosophy
• Post-war American Literature
• Literature and the World Wars
• Women's Writing and Feminist Theory
• Restoration Drama
• Adaptations
• Creative Writing Project
• Conflict, Migration, Borders
• Reading and Writing Landscape
• Autoethnography
• Gothic: Texts and Contexts
• Victorian Sexualities
• Brighton Rocks
• Writing the Contemporary
• Postcolonial Literatures
• European Literatures and Film
• Culture Wars: Revisiting the Great Divide
• World Englishes
• Language of Gender and Sexuality
• Analysing Big Data: Qualitative Methods in Language Research
• Approaches to Analysing Discourse
• English Language Teaching
• Television News Production
• Popular Culture: Europe and Beyond
• From Script to Screen
• Images of War
• Autobiography of the Screen
• Media Ethics and Conflict

*Option modules are indicative and may change, depending on timetabling and staff availability.

Meet the team

Dr Bea Hitchman, course leader

Beatrice's research interests are in critical and creative writing. Her work focuses on gender, queer writing and historical fiction, concepts of 'voice', endings and writing the remote past. Her 2013 novel Petite Mort was nominated for the Authors' Club Best First Novel Prize, the Polari Prize, the HWA Debut Novel Prize and the Desmond Elliott Prize, and serialised as a ten-part Radio 4 drama. Her second novel is All of You Every Single One (2021). Read Beatrice's staff profile.

Dr Jess Moriarty

International requirements and visas

We can help you meet our English language or academic entry requirements.

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Course fees

Info

The fees listed here are for full-time courses beginning in the academic year 2022–23.

Further tuition fees are payable for each subsequent year of study and are subject to an annual increase of no more than 5% or RPI (whichever is the greater). The annual increase for UK students, who are subject to regulated fees, will increase no more than the statutory maximum fee.

You can find out more about our fees in the university's student contract and tuition fee policy (pdf).

The tuition fee you have to pay depends on a number of factors including the kind of course you take, and whether you study full-time or part-time. If you are studying part-time you will normally be charged on a pro rata basis depending on the number of modules you take.

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