Textiles Design with Business Studies BA(Hons)

Year 1

Year 1 introduces you to the three disciplines of knit, print and weave. You will then specialise in one area to fully explore and develop your skills in media and materials, textile design, construction and fabric realisation.

Take a look at the Textiles Instagram feed.

Modules

• Market Research and Business in the Creative Industries

  This module introduces you to and equips you with a range of transferable skills, qualities and attitudes that will prepare you for professional career paths in the creative industries. Through investigation and critical reflection, you will have the opportunity to develop your knowledge and appreciation of the scale and scope of the creative industries and begin to locate yourself, your interests and your practice within a vocational context.

• Introduction to Visual Research

  This module is designed to introduce you to a wide range of observational, investigative and experimental approaches to drawing and colour theory and other methods of gathering and developing visual research.

  The module initiates an understanding of the value of visual research to help enrich your vocabulary of colour, shape, texture, composition and idea generation/development and enable you to successfully produce sketchbook work to support your textile design development work.

• Textiles Rotation

  This module provides you with an introduction to the differences between knit, print and weave as individual specialisms and their respective industries. Your critical investigation will inform your choice of pathway specialism. You will be expected to focus on the technical aspects of each textile specialism to experiment and investigate these processes. Using the technical knowledge within each specialist project and visual research you will produce three collections of designed textile samples, one for each rotation.

• Textiles Specialism

  This module enables you to gain a greater understanding of the potential of your chosen textile specialism. A series of projects will develop your creative and technical abilities, extending your skills to explore and develop methodologies in visual and textual research encouraging an experimental approach to design within your textile specialism.

  The module also introduces you to relevant digital software packages and establishes fundamental digital design communication skills essential for design development and presentation within your textiles specialism.

• Design and Culture Under Scrutiny

  This module introduces key debates relevant to the analysis of the past and present in fashion, textiles and fashion communication. Through lectures, seminars and exhibition visits, you will be introduced to, and engage with, critical ideas and academic approaches relevant to your field of study.

  The module is designed to support studio work through the development of critical thinking and formal written skills.

Making sure that what you learn with us is relevant, up to date and what employers are looking for is our priority, so courses are reviewed and enhanced on an ongoing basis. When you have applied to us, you’ll be told about any new developments through Student View.

Year 2

In year 2, design projects look at different textiles market sectors. The projects are diverse, include a live brief and will test your developing design skills. You will also build a body of design work and fabric samples to add to your portfolio.

Those specialising in knit will learn and use Designaknit software; weave students will learna and use Scotweave; and print students will learn and use Advanced Photoshop.

By the end of the year you will also produce a professional portfolio of design work in preparation for your optional placement year.

Modules

• Preparing for and Engaging with Business
• Technical Design, Process and Market Awareness
• Ethical Considerations in Relation to Industry
• Collaborative Experience and Portfolio Presentation
• Creative Collaboration in the Fashion Industry
• The Clothes and Fabrics of Society

Placement year 

You have the opportunity to spend your third year working in industry. The placement year in industry is academically assessed and your degree award will reflect your industry experience.  The placement is for a minimum of 20 weeks.

There is a compulsory professional practice module in the second year which will help you prepare for your placement. There's also a dedicated placement team to help you apply for a position. 

Students work for companies in the UK and overseas, particularly in Europe and the US, and there are opportunities to work for high profile designers and brands, trend and prediction agencies, textile design studios and fashion and textile manufacturers. 

It’s a great way to build on the skills you have developed on your textiles design course and to gain new ones

Final year

In your final year you will design and make a collection of textiles alongside a professional portfolio of design work. You will also complete an initial research project leading up to the final major project, and a full business plan. 

Modules

• Design Management and Business Plan
• Textiles Design Research
• Fashion Textiles Design Collection
• Historical and Critical Studies Research Project.

Work by Emmaly Parsons, 2021 graduate

Facilities

• Domestic, semi-industrial and industrial knitting machines.
• Industrial linkers and embellishers.
• Table looms, floor looms and 16-shaft power loom.
• Screen printing and digital printing.
• CAD CAM digital technology.
• Dye lab.
• The TECH HUB – a team of technical demonstrators based in Grand Parade who provide specialist creative software support including Adobe CC (Photoshop, Illustrator, Premiere, After Effects etc) , Rhino, Blender and C4D, as well as web and blog-related software. They manage digital manufacturing services within the School of Art and Media, including laser cutting, 3D printing, CNC routing, plasma cutting and 3-axis CNC milling. They also have VR headsets and 3D scanners. The TECH HUB has its own dedicated PC suite with all of the software they support as well as standard university programmes.
• Access to Mac suites.
• Adobe Photoshop, Illustrator, In Design and Premiere.

Click the image above to take a tour of our facilities

Meet the team 

Our teaching staff are all experienced fashion and textiles professionals and academics. Tutors and technical staff will build your skills and confidence as an artist and designer, while also ensuring your work considers realistic commercial potential.

Natasha Mohide, course leader

Natasha has almost a decade of professional experience working as a woven textile designer in a varied range of roles and settings from large corporate design to small studios. She combines a career as an academic while running Shed Studio, which she founded in 2016. Shed Studio focuses on creating specialist designs for the fashion and interiors markets and smaller-scale special commission work.

Sustainability is at the core of Natasha’s work, particularly in weaving and woven textiles, their culture, heritage and application. Her practice-based research explores alternative materials in weaving and their properties, the capabilities of jacquard handloom with double cloth and 3D techniques.

Natasha has worked as a senior textile designer for Zara, woven textile designer and colourist for Vanners Silk Weavers and as a woven textile designer at Woven Studio.

Other staff who teach on the course include: Dr Patricia Dyer, Phil Tyler, Leo Santos-Shaw, Dr Vikki Haffenden, Teresa Georgallis, Dr Caterina Radvan and
Charlotte Medin.

International requirements and visas

We can help you meet our English language or academic entry requirements.

Visas and immigration advice

Portfolio advice 

Online portfolio


Applicants who meet the minimum entry requirements will be asked to submit a portfolio via a link to the work or pdf.

This portfolio should include 20 pages or images showing an informed awareness of textiles and fashion, a good understanding of drawing, composition, form, proportion and colour, as well as three to five pages that show an understanding of visual research and the design process.

In usual circumstances you would have the opportunity to bring a physical portfolio to interview. As we are focusing on online portfolios this year, you may wish to use our guidance for physical portfolios as inspiration on what to include:

• 15–20 drawings and ideas on A1 or A2 sheets, not mounted onto heavy card or in plastic sheets
• your ability to develop an idea from concept through a wide variety of drawing and artwork
• your potential to experiment and explore ideas and techniques through a variety of media
• examples of life drawing
• two working sketchbooks
• awareness of contemporary fashion and textiles
• consideration of colour, pattern and texture.

Find out more about how to create and submit your portfolio.

Course fees

If you choose to take the professional placement (sandwich) year offered on this course you will pay a reduced fee during this year. Our fee for the professional placement year is £1,410 for UK students and £2,180 for international students. This fee may be subject to small increases, in line with inflation.

The fees listed here are for the first year of full-time study if you start your course in the academic year 2023–24.

You will pay fees for each year of your course. Some fees may increase each year.

UK undergraduate and some postgraduate fees are regulated by the UK government and increases will not be more than the maximum amount allowed. Course fees that are not regulated may increase each year by up to 5% or RPI (whichever is higher).

If you are studying part-time your fee will usually be calculated based on the number of modules that you take.

Find out more

• Fees, bursaries, scholarships and govt funding info for UK and international undergraduate and postgraduate students
• Student finance and budgeting while studying
• About the university’s fees by checking our student contract and tuition fee policy (pdf)

Campus where this course is taught

Accommodation

Local area

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Support and wellbeing

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